Example sentences of "which [art] " in BNC.

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1 Thus , the first payment should be on or after the date on which the Deed of Covenant is signed .
2 The issue of Al-Fajr in which the article appeared was apparently approved by the Ministry of Interior .
3 Set it for a moment beside one of those white Greek goddesses of beautiful women of antiquity , and how would they be troubled by this beauty , into which the soul with all its maladies has passed !
4 Histories of art appeared in sequences of volumes by different authors , there were several series of books about artists and on museum collections , besides which the most comprehensive biographical dictionary of artists by Ulrich Thieme and Felix Becker started its long publication process in 1907 .
5 His unusual topic gave Fry trouble with the title of his lecture : ‘ The mere fact that we have no word to designate that body of studies which the Germans call Kunstforschung — a body of studies of which the actual history of Art is only a part — is significant .
6 His unusual topic gave Fry trouble with the title of his lecture : ‘ The mere fact that we have no word to designate that body of studies which the Germans call Kunstforschung — a body of studies of which the actual history of Art is only a part — is significant .
7 Along this fiery path and valley , the tossing waves by which the swell of the sea is restlessly divided , lift themselves in dark , indefinite , fantastic forms , each casting a faint and ghastly shadow behind it along the illumined foam …
8 He knew and practised all the rules of art , and from a composition of Raphael , Carracci , and Guido , made up a style , of which the only fault was , that it has no manifest defects and no striking beauties ; and that the principles of his composition are never blended together , so as to form one uniform body original in its kind , or excellent in any view .
9 ‘ I want to paint men and women with that something of the eternal which the halo used to symbolize , ’ Van Gogh had written , groping to define for his brother the human essence that was his aim in pictures such as this . ’
10 Extensive records enable us to visit what André Malraux called a Musée imaginaire , in which the arts of many cultures and civilisations can be compared .
11 The unfriendly comment of Edgar Wind in Art and Anarchy was : ‘ What has optimistically been called a ‘ museum without walls ' ’ is in fact a museum on paper — a paper-world of art in which the epic oratory of Malraux proclaims , with the voice of a crier in the market place , that all art is composed in a single key , that huge monuments and small coins have the same plastic eloquence if transferred to the scale of the printed page , that a gouache can equal a fresco . ’
12 He was solid , scientific , conscious in all his creating , learning his art from masters who were still in the youth of artistic development , his whole work shows a progress towards an ideal which the trammels of Gothic tradition never left him free to attain without a struggle .
13 The grand form offered a scale of more or less assimilation to the form hidden in the wood , the surface a scale of textures , on both of which the sculptors played , and they are a source of specific qualities of the genre .
14 The technical survey is above all a category of book in which the writer will have closely observed the material discussed .
15 I must admit therefore that there is one passage in this otherwise consummate design ( A Fruit Dish ) of which the meaning escapes me .
16 Yet I know of no picture in which the mid-day heat of Midsummer is so admirably expressed ; and were not the eye refreshed by the shade thrown over a great part of the foreground by some young trees , that border the road , and the cool blue of water near it , one would wish , in looking at it , for a parasol , as Fuseli wished for an umbrella when standing before one of Constable 's showers .
17 How beautiful , how devoid of everything like the handicraft of art it is — the largeness , and yet ingenuity of its effect — the purity of its colour — the truth , yet refinement and elegance of the action , particularly of the hands ( in which he particularly excels ) ; and then , a lesson to all high-minded slovens , the patient vigilance with which the whole is linked together , by touches , in some instances small almost as a miniature , but like the sparkling of water .
18 A decline of the sculptor 's reputation derived not only from the political discredit into which the regimes of the years before 1914 had fallen , but also from a distaste for allegory , and a revulsion from naturalist sculpture ( which the young Brancusi expressed forcefully as a dislike for ‘ beefsteak ’ ) .
19 A decline of the sculptor 's reputation derived not only from the political discredit into which the regimes of the years before 1914 had fallen , but also from a distaste for allegory , and a revulsion from naturalist sculpture ( which the young Brancusi expressed forcefully as a dislike for ‘ beefsteak ’ ) .
20 Sculptures in cities are a part of cultural history , and can be the symbols by which the cities are known or remembered .
21 In the nineteenth century it was Richard Wagner whose extraordinary ambition it was to make a complete artistic environment , in which the arts would blend .
22 For example , Morelli wrote : ‘ In all those works by Raphael in which the execution is entirely his own , the ear , like the hand , is always characteristic , and differs in form from the ears of Timoteo Viti , Perugino , Pinturicchio , and others . ’
23 According to this the picture must have been painted about 1588 , with which the style and the age of the sitter agree .
24 Writing about a small bust on a column , a thin sculpture in a series of four busts of which the others were fuller in form , she comments that ‘ the extremely thin proportions of the head contrast with the solidity of the base .
25 The keystone of the arch of publications must be the catalogue itself , from which the authority of other writing derives .
26 It was at this time that Diderot , who often strolled into the artists ' studios , paid a visit to David , and saw a picture which the artist was just finishing .
27 There are a number of other ways in which the work could
28 One alternative Chinese perspective is shen yuan , in which the viewer is placed as if on a hill , and the horizon line is thus high up , almost a bird 's eye view .
29 The third perspective is Kao yuan , in which the viewer is looking up towards a mountain scene , as William Willetts puts it , ‘ through successively receding heights represented by flat parallel planes , each with its own horizon ’ .
30 The angle from which the riots are studied makes them appear distant and unimportant , while also worrying .
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