Example sentences of "to [pers pn] " in BNC.

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1 This point is very important if the manager is left to select a supervisor who will be reporting directly to him/her .
2 Is his/her misbehaviour reinforced — wittingly or unwittingly — in the way people respond to him/her ?
3 You could , of course , go to his/her room to tend to him/her .
4 Someone with early stages of brain failure can be very aware of it , and anxious about what is happening to him/her .
5 These impressions he/she could perhaps spell out , verbalizing them for the benefit of the student and anyone else who has a legitimate interest in knowing how the student is seen by people close to him/her .
6 Here , as elsewhere , a translator would be well advised to use those explanations which are compatible with the languages that are of interest to him/her and ignore the rest .
7 The English text achieves a higher level of informality by appearing to consider various angles of the problem in a relaxed , casual way , as if the writer is simply taking up issues as they occur to him/her .
8 Listen to him/her say a text or story slowly , then listen as he/she speeds it up in successive repetitions .
9 The student should not be confused with long lists of new vocabulary to master before the drills can become meaningful to him/her .
10 a friendly giant who can not speak our language ( but we have to explain to him/her how dangerous s/he is )
11 After a time David relaxed and joined in , complimenting Felicity , chaffing her husband and turning often to Julia to remind-her of earlier conversations they had had or to ask her opinion .
12 As the doctors are still with Tony , I explain the position to the daughters and hand Mum over to them .
13 They had copied out the names and addresses of everyone who wrote to them and enclosed the list with a message of thanks and good wishes , asking that it be sent on .
14 These men were taste-makers , whose judgements were important ; but the time available to them for writing was limited by the demands of negotiation and administration , so that they tended to write essays more than books , catalogue entries rather than articles .
15 Generally , art criticism connected with mixed and group exhibitions is commentary from outside , so that we shall return to them , with only this brief mention here , in the next chapter .
16 Paolo Uccello would have been the most delightful and imaginative genius since Giotto that had adorned the art of painting , if he had devoted as much pains to figures and animals as he did to questions of perspective , for , although these are ingenious and good in their way , yet an immoderate devotion to them causes an infinite waste of time , fatigues nature , clogs the mind with difficulties , and frequently renders it sterile where it had previously been fertile and facile .
17 The poem and novel I have attributed to them respectively can also , for certain purposes , be attributed to them both .
18 The poem and novel I have attributed to them respectively can also , for certain purposes , be attributed to them both .
19 If you want your weans to get homework then give it to them your tucking self .
20 The women are the vessels of a better spirit ; the injury to them is greater , and it is their own men who are responsible for some of that injury .
21 Stage nerves are unlike anything else in the whole world , and many good actors will confess to them right through their careers .
22 This means that actors are expected to be able to control any regional or foreign accent which is natural to them , and deliver a text in what may best be called ‘ the classical style ’ .
23 They may be talking about membership of Ulster 's protestant secret societies , particularly the Orange order , the Royal Black Preceptory , and the Apprentice Boys ' Club ; or about religion — being saved , being a church member , or even a non-practising protestant ; or what appear to them to be key ethical issues such as drink , tobacco , and money ; or they may simply be describing in ordinary everyday language life in the family , on the farm , and in the village .
24 This is a totalizing view of society , and implies a certain anti-pluralism : freedom of belief and action within certain parameters , which are to be decided either by those who appear righteous in the sight of God or by those who , at least , conform in their lawmaking to the advice given to them by the righteous .
25 An important aspect of the successful implementation of these parts of the constitution was that the political opposition did not object to them .
26 Endless , he wrote , because I could see no end to them and because I could envisage no beginning .
27 Keep shit at bay , keep warmth at bay , those maggots of feeling , breeding in the shit , sooner or later it gets to them all , even Hilda , love at last , her very words , who would have thought it .
28 I have made my plans and I must stick to them .
29 But what if at the moment of birth the whole of one 's life to come were to flash before one 's eyes and then to be immediately wiped away , forgotten , while we laboriously go through all the pleasures and sorrows , all the hopes and frustrations that make up a life , meeting people and parting from them , listening to them and speaking to them , to go through tasting all we taste in the course of our long lives , seeing all we see , every leaf at every moment and every cloud at every moment , and hearing all we hear , the hooting of every car and the singing of every bird and every performance of the Brandenburg concertos , go through all that , in time , very slowly , though we had already been through it all , every moment of it , leaf , cloud , concerto , in one brief but intense instant , everything perfectly formed but over in less than a second ?
30 But what if at the moment of birth the whole of one 's life to come were to flash before one 's eyes and then to be immediately wiped away , forgotten , while we laboriously go through all the pleasures and sorrows , all the hopes and frustrations that make up a life , meeting people and parting from them , listening to them and speaking to them , to go through tasting all we taste in the course of our long lives , seeing all we see , every leaf at every moment and every cloud at every moment , and hearing all we hear , the hooting of every car and the singing of every bird and every performance of the Brandenburg concertos , go through all that , in time , very slowly , though we had already been through it all , every moment of it , leaf , cloud , concerto , in one brief but intense instant , everything perfectly formed but over in less than a second ?
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