Example sentences of "and [Wh det] " in BNC.

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1 The solo madrigals lean now toward declamatory monody , now toward coloratura song , often fusing both as in ‘ Amarilli ’ , and in his preface Caccini has much to say about the types of graces — trilli and gruppi-which can heighten expressiveness .
2 Newer approaches to history can give accounts which do not have landmark events and which tell us about different aspects of the past , such as social conditions .
3 ‘ When I see the Giotto frescoes at Padua I do not trouble to recognise which scene in the life of Christ I have before me , but I perceive instantly the sentiment which radiates from it and which is instinct in the composition in every line and color .
4 Rhyme , measure , and the turning of verses , which is indispensable and which gives them so much vigour , are analogous to the hidden symmetry , to the equilibrium at once wise and inspired , which governs the meeting or separation of lines and spaces , the echoes of color , etc. ’ poetic painting was Delacroix 's preference , but ‘ David 's picture of Leonidas at Thermopolae is masculine and vigorous prose , I admit ’ .
5 Some compensation may exist in sketches and preliminary drawings , where they exist , and which are easier to study on a page .
6 On the engraving of the picture made by Gisbert van Geen in 1588 , for which Pozzoferrato supplied the ornamental framework and which Ridolfi reproduced in his biography , Tintoretto is described as being seventy years old .
7 From a letter to Francesco Gonzaga , written in 1622 and published by A. Luzio , in which among others a self-portrait of Tintoretto is offered to him , Pittalunga argues that the Paris picture may have been the one mentioned and which formed part of Rubens 's estate .
8 This is a book which takes for granted , and which has doubts about , the mingling of peoples , and it is a book which takes pride in its chosen people — Salim 's people and , in some measure , Naipaul 's .
9 The servants , who did much of the living which is commemorated here , and his parents , who did so little of it , are placed well within reach of an impartial sympathy in a work which nowhere feels vindictive , and which declines to settle for any final understanding of what went on .
10 This is a male view of the matter , in which women are attacked , and which had me admiring these ugly sisters .
11 Heads have been turned , and have begun to swim , amid the flow of invention , delivered in works which have been Englished in rapid succession and which are not always easy to tell apart .
12 Tyranny is a force which locks writers up and which self-serving lyrical writers may assist .
13 Eluard 's soaring ‘ lyricism ’ helped to perpetuate a tyranny , and is the kind of thing which led Kundera to employ the title The Lyric Age for the work which first came to him in the mid-Fifties , and which his publishers prevailed on him to retitle Life is elsewhere when it was completed in 1969 .
14 Kapuscinski exercises a personal charm which must have helped him to establish friendly relations with the people he met , and to gather material , and which can seem to befriend the Western reader .
15 As in the earlier books , the bravura set-piece dominates , and the most memorable concerns the crates in which the Portuguese have packed up their belongings , and which were eventually shipped out of Africa — Kapuscinski was to stumble on a few of them in Portugal , sunk , as it were , in the sand .
16 There is history in the accounts Kapuscinski gives of the confusions and uncertainties which he has experienced and which he has tried to interpret .
17 Shakespeare 's play has an arranged duel which miscarries , and which takes off a divided , gambling man who has wondered whether or not it might be better to end his life .
18 These considerations affect the difficulties which attend Difficulties with girls , and which come to the fore with the most Amis-sounding of its characters , the male lead .
19 It can be said of these strong-minded and independently gifted accomplices that their work shows a dimension of reciprocity and replication , of the production unit , which stands at an appreciable remove from parody and plagiarism , and from the mimicry of other people 's voices which is comprehended in the term ‘ ventriloquism ’ , which Amis goes in for in private , among friends , and which is also a pleasure of the novels he writes .
20 Against this monologic Amis can be set , by way of alter ego , the modernistic Amis of Barbara Everett 's discussion of Difficulties with girls , which occurred in the course of an essay on Hugh Kenner 's fantasy of a British betrayal of Modernism , and which springs the surprise of conveying that Amis , so often supposed an enemy of Modernism , is really a Modernist .
21 This is a state which Zuckerman experiences and which he sends up .
22 He has travelled from the liberated past , when imagination took power , to the liberation of an interest in fact — a state which may or may not prove to have been , for Roth , partial or provisional , and which The Facts , in its totality , manages to enclose in an ironised uncertainty .
23 Zuckerman is seeking to deny the traditional connection between illness and psychic division which is reaffirmed in the novel as a whole , and which is also reaffirmed in The Facts , and at the same time to deny that there is a traditional belief in division or multiplicity , a long-standing sense of selfhood as a chimera .
24 The story that is told is a story which never ends — and which risks losing shape and momentum — because it is a story told of himself by a living author , an author who has yet to end , whose isolate 's imaginative fury lives on to tell another tale , some more of his own story .
25 There are times when it might seem that this is a definition which can produce the sense of a self which is both amorphous and autonomous , of a doubtful self which also serves to cast doubt on the human world that lies beyond the subjective individual — a world which some writers are , and some are not , very cunning in , and which is inhabited by people with a working knowledge of who they are and what they are doing .
26 This is a knowledge which has been impugned in literature , and which has deteriorated there .
27 These remarks concerning If this is a man do not describe the kind of book which runs easily to sequels , and which is easy to live up to .
28 Babel 's bad times could be turned into art — an art which has been seen to release him , as it were , from his subject , and which has also been seen to hesitate .
29 The popular slogan ‘ This we will maintain ’ , that is the union with Britain , can be equally applied to the religious and moral values the loyalists pride so much and which they see as embodied in the protestant — loyalist statelet , with its appropriate state apparatus of coercion and alternative paramilitary units .
30 Put in another way , force is underpinned by dominant values extensively shared by the population and which support the operation of the state .
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