Example sentences of "[Wh det] [is] " in BNC.

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1 And whit 's that , Inverdarroch ?
2 Returning from a visit to Uganda , where he met with patients in the villages and with other agencies , Maurice Adams said , ‘ It is a beautiful country which is being devastated by a disease which can be stopped . ’
3 There is a simple covenant form attached to this leaflet which is quite sufficient .
4 The authorities claimed they were conspiring to overthrow the government , which is dominated by a different community , the Moors , but offered no evidence to substantiate this claim .
5 Such knowledge could , however , continue to be useful when used in a regional context , which is what the RANs do , enabling members to react to a wider range of human rights violations in any given region .
6 which is used mainly f or political prisoners and others held in administrative detention .
7 These dreadful events took place in the south of Sri Lanka , which is dominated by the majority Sinhalese population .
8 Some writing which is called art criticism will be helpful , some will not ; other writing will also be valuable , although whether it can be described as art criticism may be disputable .
9 This thematic method is combined in many introductory courses with formal analysis which is closer to the way that many artists describe pictures .
10 The ground has been thoroughly explored over the last 250 years , which is one estimate of the span of art critical and art historical activity .
11 Interpretation is the heading which is the most wide-ranging of the three elements , including questions of form or style , but perhaps additionally considering the work 's historical background , and technical , thematic or other questions , including the artist 's biography .
12 Which is the greatest of these great men who differ so much from one another ?
13 The critic , too , according to Baudelaire has a right to be independent , and to work without a system ‘ which is a kind of damnation which forces one to a perpetual recantation ’ .
14 The best criticism is that which is both amusing and poetic ; not a cold , mathematical criticism which , on the pretext of explaining everything , has neither love nor hate , and voluntarily strips itself of every shred of temperament .
15 First of all , he knew how to listen — which is very rare .
16 In these 239 murals , covering a surface of 1,585 square metres , there are traces of many influences making up a popular and forceful imagery : ‘ The codices , pre-conquest sculpture , popular art , the study of living people , the colour of nature as well as the paintings of the misnamed Italian Primitives , together with the modern artistic tendencies to which Rivera himself had contributed during his stay in France , all went to form his own peculiar style , which is apparent for the first time in these frescoes . ’
17 It is relatively brief , as can be seen by comparing it with a more recent competitor for the same market , H. W. Janson 's A History of Art , which is more than twice the length and has more illustrations ( 928 in 1962 ) .
18 The Story of Art highlights change and development , sadly at the expense of art which is less varied , of however high a quality .
19 the figure is much destroyed from the waist down ; but the noble torso , and especially the head , express that compassion and humility which is the great achievement of Buddhist art . ’
20 In 1964 Peter Murray wrote an introduction to a new edition , in which he made an observation about the passage on Bernini 's St Teresa , the sculptural group in Rome which is a key work of the Baroque :
21 ‘ When I see the Giotto frescoes at Padua I do not trouble to recognise which scene in the life of Christ I have before me , but I perceive instantly the sentiment which radiates from it and which is instinct in the composition in every line and color .
22 For he had revealed one of the eternally popular effects of nature , one which is still quoted by simple people as a standard of visual beauty .
23 Post-structuralist texts expose the role of language in deferring meaning and in constructing a subjectivity which is not fixed but is constantly negotiated through a whole range of forces — economic , social and political .
24 But a subtle critic may well save us a great deal of time , pain and trouble in the learning , for he can set us aright at the outset , and by his example rather than by his assertions show us how to avoid admiring that which is unworthy .
25 They may , however , not be exactly what the author would have preferred , as a colour plate which is readily available ( perhaps having been used in another publication ) is much cheaper to use than a new plate which has to be commissioned .
26 Rhyme , measure , and the turning of verses , which is indispensable and which gives them so much vigour , are analogous to the hidden symmetry , to the equilibrium at once wise and inspired , which governs the meeting or separation of lines and spaces , the echoes of color , etc. ’ poetic painting was Delacroix 's preference , but ‘ David 's picture of Leonidas at Thermopolae is masculine and vigorous prose , I admit ’ .
27 The other major role of the sculptor is in the service of religion , where a high degree of interplay between artist and patron is not necessarily so important , making the sculptor 's situation into one which is more like the painter 's .
28 This section will consider not what the critics write in reviews of exhibitions , but the criticism which is contained within the exhibition catalogues ; not the commentary from the box , but the programme of events .
29 But one feature of a catalogue of an exhibition for a living artist which is different is the likely inclusion of reminiscences from colleagues and members of the artist 's family , who may make enlightening comments .
30 It might make artistic sense for the gallery to borrow some key picture to enhance the look of an exhibition , but a picture which is not for sale is an expensive use of wall space .
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