Example sentences of "[that] it " in BNC.

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1 This virus affects the body 's defence system so that it can not fight infection .
2 I have far fewer friends and I am partially sighted , which makes me a lot more vulnerable ; but whatever happens physically , I have always said that it was what happened mentally that mattered .
3 I have far few friends and I am partially sighted , which makes me a lot more vulnerable ; but whatever happens physically , I have always said that it was what happened mentally that mattered .
4 At the time you enter a Deed of Covenant , the covenant should be capable of lasting for more than 3 years , and there should be the intention by you that it does so .
5 The Commission kept under review the human rights situation in Afghanistan , Romania , El Salvador and Iran but sent a clear signal that it may terminate special scrutiny of the latter two countries at its next session .
6 AI stated that it strongly feared that the refugee population would be at risk of certain torture , ‘ disappearance ’ or execution if returned to Iraqi Government control .
7 They had copied out the names and addresses of everyone who wrote to them and enclosed the list with a message of thanks and good wishes , asking that it be sent on .
8 The government has at last acknowledged that ‘ disappearances ’ do take place and that it is a problem which needs addressing , and Amnesty International expects to be submitting cases for investigation by the Commission .
9 In November 1990 , the Government conceded that the Immigration ( Carriers Liability ) Act and associated visa requirements ‘ do indeed prevent some asylum seekers from coming to the UK ’ , but further stated that it ‘ has no obligation to encourage or assist would-be asylum seekers … to come here and enter our procedures ’ .
10 He judged that it would be difficult to persuade readers of the artistry of Klee 's art , which appeared similar to children 's drawings , so he stressed the work 's imaginative content .
11 He knew and practised all the rules of art , and from a composition of Raphael , Carracci , and Guido , made up a style , of which the only fault was , that it has no manifest defects and no striking beauties ; and that the principles of his composition are never blended together , so as to form one uniform body original in its kind , or excellent in any view .
12 Gentlemen : It is with great regret that I see so many students labouring day after day in the Academy , as if they imagined that a liberal art , such as ours , was to be acquired like a mechanical trade , by dint of labour , or I may add the absurdity of supposing that it could be acquired by any means whatever .
13 You forget that it is a picture as you look at it …
14 This sort of listing is worth knowing by a reader , who may occasionally notice that it underlies the degree of attention being paid to a theme by a critic .
15 The virtue of artists ' writings for the reader of criticism is that it can often serve as a touchstone for judging the worth of mediators , particularly those presenting views of what the artist intended ; what the artist said may be more to the point .
16 One view of the art market is that it is like a staircase with several landings .
17 The rhythmic movement of volumes and planes in space is so basic in Cézanne 's design that it usually extends to the treatment of the background — whether that be sky , wall or drapery — and makes it serve the dual purpose of a screenlike area or space boundary and of a rhythmic sequence of semivoluminous planes which continue the movement of the units in the middleground and foreground ; this sequential ordering thus contributes to compositional unity in the widest sense as well as to the expressive movement of the total form .
18 To it we owe that nervous , spidery line of the drawings — so quick , so attentive , yet so despairing — that alerts us to the elusiveness of the subject at the same time that it perseveres in the attempt to render it .
19 I am sure , however , that it plays an important role . ’
20 The crux of a personality article is that it aims to satisfy a reader 's curiosity .
21 You may say that it is feeble in colour and monotonous in tone — it may be so , but it touches the heart , it arrests the attention ; and what is the use of all your correct drawing and pure tints , and skill in light and shade , if your subject leaves me cold and unaffected .
22 It fulfilled none of my expectations and seemed to be merely trying to make me laugh at the fact that it had left me standing there grasping at nothing .
23 Kate Millett and William Kunstler went about the world protesting against the trial on the grounds that it was ‘ political ’ .
24 Conrad said of The Secret Agent , another book about revolutionaries , cranks , crooks , somnambulists , peripherals and phantasmagoricals , that it was written ‘ in scorn as well as in pity ’ , and the same could be said of Guerrillas .
25 But if it sometimes seems to be saying , on Salim 's behalf , that race or kinship wins , it is also the case that it is full of losers , that it has a lively feeling for the Africans of market and bush , and for their African troubles , and for the situation of Salim as someone evolved or emerged from a tribal narrowness to an experience of sexual love which is liberating and dramatic , and that it does justice to Metty 's last state , left behind in the dangerous town at the bend in the river .
26 But if it sometimes seems to be saying , on Salim 's behalf , that race or kinship wins , it is also the case that it is full of losers , that it has a lively feeling for the Africans of market and bush , and for their African troubles , and for the situation of Salim as someone evolved or emerged from a tribal narrowness to an experience of sexual love which is liberating and dramatic , and that it does justice to Metty 's last state , left behind in the dangerous town at the bend in the river .
27 But if it sometimes seems to be saying , on Salim 's behalf , that race or kinship wins , it is also the case that it is full of losers , that it has a lively feeling for the Africans of market and bush , and for their African troubles , and for the situation of Salim as someone evolved or emerged from a tribal narrowness to an experience of sexual love which is liberating and dramatic , and that it does justice to Metty 's last state , left behind in the dangerous town at the bend in the river .
28 We may be meant to think that time is simultaneous , in a way that may owe something to the simultaneity propounded , ‘ perhaps ’ , in Eliot 's Four Quartets , where ‘ History is now and England ’ ; or that it is cyclical , a turning wheel , with human depravity paling into insignificance as the wheel turns into modern times .
29 This brings with it the corollary that it is not always apparent whether the beliefs he expresses are Ackroyd 's or those of the writer to whom he is exposed , or both .
30 It is a contender : a colleague of Ackroyd 's on The Times announced that it was a ‘ sure contender ’ for the Booker Prize of 1987 ( which it did n't receive ) .
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