Example sentences of "[not/n't] [be] " in BNC.

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1 The support our volunteers provide can not be measured in purely practical terms and their continuing contribution is vital if we are to provide an ongoing service .
2 At least I 'll be able to have lunch first and not be munching my sandwich in a traffic jam .
3 I try to explain that , unlike her home country , she will not be staying in with him .
4 You could covenant all your taxable income if you wished — remember though that a part of your total income will not be subject to tax , because of the various tax allowances you enjoy ( personal allowances , mortgage interest relief , etc . )
5 If you have not paid tax , then you would not be able to sign a Certificate of Deduction of Tax and ACET would not be able to reclaim tax on the covenant .
6 If you have not paid tax , then you would not be able to sign a Certificate of Deduction of Tax and ACET would not be able to reclaim tax on the covenant .
7 Whatever happens , any tax relief obtained on donations you have already made will not be lost .
8 This last point must not be overlooked and may prevent large capital sums being passed under Gift Aid ( but see 6. below ) .
9 Gift Aid may not be used by a donor as a means of writing of a debt or loan owed to him by the charity .
10 This can cause problems because if you do not pay tax then you will not be able to sign the Certificate on form R190(SD) and ACET would not be able to re-claim basic rate on the payment .
11 This can cause problems because if you do not pay tax then you will not be able to sign the Certificate on form R190(SD) and ACET would not be able to re-claim basic rate on the payment .
12 If I do n't make a Will , then the distribution of what you possess when you die may not be as you would wish .
13 Without their commitment we would not be able to provide such an extensive service .
14 It is the churches that provide our volunteers ; without their support we would not be able to provide a service at all .
15 Nowadays , impartiality need not be expressed quite so crudely , and a look at any group 's case load will show that a balance is always maintained .
16 Even though critics may not be as learned as their art-historical colleagues , there is no good reason for their practised eyes to cloud over when looking at art of other periods .
17 There is the theory of art , and there is aesthetics ; there is writing about artefacts which may or may not be categorised as art , but are in the hands of the archaeologist or the anthropologist ; and there is art appreciation .
18 theories are interdisciplinary , and the specific quality of a painting or a sculpture may not be spotlighted by the theoretician , whose writing is likely to be long on interpretation but short on description .
19 Even such richness may not be enough for a theoretician .
20 Theorists may also be more difficult to follow in their arguments because of a current of polemic with which a reader may not be familiar .
21 The connoisseur also hopes to have in a drawing an authentic work by an artist 's own hand , which in the case of an oil painting may not be so assured .
22 A successful description of a self-portrait may not be difficult , but an illuminating interpretation may call on many references , especially other artists ' pictures of themselves .
23 They may , however , not be exactly what the author would have preferred , as a colour plate which is readily available ( perhaps having been used in another publication ) is much cheaper to use than a new plate which has to be commissioned .
24 The personal characters of artists can not be infallibly deduced from their work .
25 Even illustrations may not be adequate , details of pictures often being poorly represented , leaving an artist 's techniques , materials and handling to be discovered from more specialist studies .
26 Reproduced to a uniform size on the printed page , sculptures which are monumental in size can not be distinguished from those which are mere studies or maquettes .
27 An art monograph need not be about a person , but can be about an individual work or a scheme such as a mural decoration .
28 The reader may be disappointed by the standard of what is written , but unlike other sites of criticism , this can not be attributed to the form of publication , only to the limitations of the author .
29 However , potentially educable as a painter Schnabel may or may not be , his work is just not worthy of serious attention by anyone with a developed taste in this particular art form .
30 The scope or character of a piece of criticism is naturally related to the magazine or newspaper in which it appears , as we noticed in the case of Dore Ashton 's dismissal from the New York Times because it was asserted that her work could not be understood by the paper 's readers .
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