Example sentences of "her and [pron] [noun] " in BNC.

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1 Looking down at the man who had quietly assisted her and whose clothes were now covered in the other man 's blood , she said , ‘ You 'd better go with them as well . ’
2 Meredith miserably eyed the bevy of beautiful women who 'd appeared , apparently friends of his , but the tears began to blind her and their faces blurred .
3 How could he have made mad , passionate love to her one moment — and been able to ignore both her and their marriage problems the next ?
4 Oh , my darling , darling , she wanted to cry , and as he moved and lay down with her and their legs entwined , so she realised , without fear , that along with his shirt , so too had his trousers gone .
5 He looked back at her and their eyes met .
6 Her four cousins were all older than her and their dogs were boisterous enough to knock her over .
7 DANCER Maria Santos sued crooner Julio Ingeslias for paternity last week because he once threw her and their son out of his hotel .
8 The Marquess married his wife Becky in 1990 but he now lives apart from her and their son .
9 We always said that someone at the office called Jenkins had taken me to the local wine bar after work and we 'd run into some old girlfriend of his and Gillian who knew this girl vaguely was with her and we sort of got on immediately and made another date .
10 If you do n't know her age , how long had you had her and what size was she when you got her ?
11 ‘ Although her captivity chafed her and her disappearance , as the lord King has found cause to remind me , has deprived him of her considerable ransom .
12 Rebecca Scott , for instance , a young artist who explores the associative and feminine-identified eroticism of flowers in big , richly coloured , sensuous canvasses , came across Irigaray 's work by chance recently and found that in its characterisation of female interiority , groundedness , concealed sexuality and dispersed sense perceptions , it spoke directly to her and her work .
13 But in it , he reached new limits in describing the relationship between her and her work .
14 ‘ I ca n't tell you how much more at ease I feel , without her and her cronies snooping on me . ’
15 On and on it flowed past her , indifferent to her and her suitcase .
16 They had seen nothing of Gus since he had withdrawn , she suspected with reluctance , after delivering her and her luggage at Paviour 's house .
17 It makes more sense to enquire into his attempts to reform this woman , and then to glorify her and her child in a whole series of marvellous drawings , than to establish a dubious fatherhood he in any case assumed at the outset , emotionally and spiritually and with the utmost delight .
18 He said that returning to Sam might be best for her and her child .
19 The justification for reserving this not uninfluential role to a small number of wealthy , landed families was that since they had to act as the Queen 's hosts when she visited the county , they needed a house big enough to accommodate her and her entourage .
20 There is also the cost of transport , to be used in the future to get her and her wheelchair about .
21 It is accepted that the plaintiff has a need for a new vehicle to accommodate her and her wheelchair and to replace the parent 's Volkswagen .
22 One had to evaluate the fire risk for her and her neighbour , in helping her to come to terms with giving up her independence and moving into residential care as soon as a place became available .
23 Barbara Buhler Lynes 's essay , ‘ the Language of Criticism ’ , in this issue of WAM is a thought-provoking , informative article which examines the way Georgia O'Keeffe set out to persuade the critics to define her and her art on her own terms in the latter half of the 1920s .
24 In this article , I will demonstrate that O'Keeffe herself was instrumental in inspiring this new voice in the criticism ; that in response to the reviews she received on the occasion of her first major exhibition in New York in 1923 , she set about to persuade critics to define her and her art on her won terms .
25 O'Keeffe 's immediate reaction to the criticism generated by the 1923 show is not known , but it is clear from a letter she wrote to Mitchell Kennerley of the Anderson Gallery in the autumn of 1922 , soon after Rosenfeld 's second article appeared , that she had objected from the beginning to Hartley 's and Rosenfeld 's assessments of her and her art : ‘ You see Rosenfeld 's articles have embarrassed me — [ and ] I wanted to lose the one for the Hartley book when I had the only copy of it to read — so it could n't be in the book . ’
26 Like every creation of the music business , Kylie relied on hype and headlines to stoke up interest in her and her music .
27 Her aberration ( and as such she clearly sees it ) destroys her peace , and puts a wall between her and her friends .
28 For a moment she was taken aback , realising for the first time that she had n't explained herself very well , then , gathering her wits together , she retorted briskly , ‘ If you had n't assaulted me and accused me of being a burglar I would have told you that the Svend I 'm looking for is a student who met my sister at the Roskilde music festival and afterwards entertained her and her friends here in this apartment for several nights . ’
29 She felt the steel strength of his arms around her and her skin quivered from the warmth of his breath on her cheek before he released her as if she might contaminate him .
30 It still flamed for her and her relief was immense , overpowering the craving for her sexual relief .
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