Example sentences of "[adv] is [adv] [verb] [subord] " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | Keith obviously is still continuing because s again some money was found to keep his , to keep paying him for another few months . |
| 2 | The author of this memoir , while an undergraduate , once borrowed fourteen books about history from Edward Wynn and , on the way to return them , inadvertently dropped them all into the River Pem — and so is better placed than anyone to testify how good a man was Edward Wynn . |
| 3 | The type of orientation described above is often given when students have little or no motivation actually to use the library . |
| 4 | Throughout the training , landing out is usually treated as such a serious misdemeanour that the inexperienced pilot is often influenced into trying desperately hard to get back if he either inadvertently drifts away from the site or gets lost during a local soaring flight . |
| 5 | Ie is normally translated as ‘ family ’ , but is a more all-embracing concept than that normally signified by the English term . |
| 6 | Tomorrow is usually explained as I am going to the theatre tomorrow but with all the slots elided except the adjunct tomorrow . |
| 7 | Moreover , I shall not try to determine what kind of phenomenon consciousness is ; the task here is rather to see whether the machine analogy can give us a way of talking about it , whatever it is . |
| 8 | The difficulty here is best demonstrated when Honderich , analyzing the notion that Conservatism is a ‘ defence of the familiar ’ , argues that if this were central to Conservatism ‘ we should have a mystery on our hands , the mystery of how an egregious idiocy could have become a large political tradition ’ . |
| 9 | Blues too is commonly regarded as centrally to do with the expression of alienated subjectivity caught within oppressive social structures ; in a previous book ( Middle ton 1972 ) I argued that the effects of this are apparent in the musical form itself-in disjunctive structures , an immanently contradictory musical language and a commitment to ‘ authentic ’ self-expression — and I drew parallels with modernist art . |