Example sentences of "[adv] [coord] i [vb mod] [verb] " in BNC.

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1 ‘ You will speak to me politely or I will split my men here into two football teams with you as the ball .
2 ‘ Get his boots off and get him below or I 'll sail the lot of you straight into the reef . ’
3 The greatest relief was that I had n't called in on my way down or I would have been with them .
4 You shut up and sit down or I 'll kill you all !
5 Yeah I would s I would guess so or I would think so as well .
6 ‘ If we 've been doing lessons all morning , they 've usually had enough by the afternoon , so we 'll sing some songs together or I 'll tell them a story .
7 If er if there 's owt else you want to know you can always come in come in or I 'll come and see you either way .
8 Can you switch the toaster off , put the pancake in or I 'll have a burnt pancake .
9 ‘ Obviously it 's not good enough and I 'll decide over the next 48 hours what I am going to do .
10 Get me close enough and I will do the rest . ’
11 I could pay , I would have to pay the first eighty somewhat and I would have to pay the first ninety , ninety somewhat on a pair of glasses
12 I do n't care how different he is underneath , ’ she cut through Davide 's protests , ‘ how much bluster it is , blusterers make poor husbands , never could make a woman happy for more than five minutes , and anyway , Caterina can do better and I 'll see to it that Rosalba does better too .
13 Come inside and I 'll warm you . ’
14 ‘ Come inside and I 'll explain . ’
15 Blinking her eyes rapidly to try and clear her head , Sarah said , ‘ Come inside and I 'll go and look . ’
16 The vehicles drew alongside and I could see their amber lights through the canvas and hear slamming doors and excited friendly voices .
17 Through some of his paintings of 1912 Picasso went so far as to say candidly to the spectator , ‘ j'aime Eva ’ ; at the same time he wrote to Kahnweiler of Eva , ‘ I love her very much and I shall write it on my paintings . ’
18 I had gone too far and experienced too much , I needed to slow down , to get back to the small things , the practical things , to measuring and cutting and fixing , and it was with relief that I noticed that daylight had begun to invade the room , I kept quite still , I held the glass firmly in my gaze , gradually the elements already worked on began to emerge , some more clearly than others , some in outline only and some only when they impeded the free flow of light through the glass , until the sun came up and was reflected back from the windows of the house opposite and I could sit and look at the glass and think back through the work and the mistakes and the few successes , and sense again with that sickening feeling in the pit of the stomach that the whole of the right hand side of the lower panel was still a mess , nothing there had been resolved , but then I drew back from that , though it kept trying to pull me back to itself , and concentrated on what was beginning to work , on the left hand areas both top and bottom and on the elegance of the frame and the joy of seeing the bare walls and the wainscoting appear through the empty areas , and as I moved round so different parts of the room appeared and the relation of the surface of the glass to what lay behind changed , precision and fluidity , precision and fluidity , he wrote , choice and chance , not choice alone and chance alone but the two together , that is why delay , not stoppage and not flow but delay , delay in glass , he wrote , as when the plane is late and you should have been gone , have already arrived perhaps , but you are still there , or the sprinter beats the gun and the whole field is called back , the race could have been over but it has not yet started .
19 ‘ Come in and I 'll show you . ’
20 Got coming up Friday well it means that I you know which I 'm gon na have to do anyway Saturday , so I 'll take him in and I 'll go down early
21 You come in and I 'll do it .
22 ‘ Let me in and I 'll tell you .
23 Come in and I 'll make you coffee . ’
24 Come in and I 'll make a cup of tea .
25 I 'll give you your pocket money and then you stick a fiver in and I 'll give it you back .
26 I know that if my feet leave the floor of the cave then I 'll float upwards and my head 'll hit the ceiling and my skull 'll get bashed in and I 'll die .
27 Do you want to climb in and I 'll fasten Becky in ?
28 alright put your arm in and I 'll close your door , I 've had a
29 Yeah , all I 've got to do then is send , send it in and I 'll phone them and say well can I cash it up and still on the club and they 'll say yes but I 'll have to get up and get round there tomorrow then
30 But then she start putting my erm blouses on like , cos she probably seen somebody come in nice thinking oh dress up tomorrow and then I , in case he comes in and I used to think shit that had been in the wardrobe , alright I do n't wear them but I mean they 're still nice
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