Example sentences of "it to " in BNC.

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1 If you would like to support the work of ACET then please complete the coupon and return it to us today .
2 He it was who first , among moderns at all events , conceived this method of organizing the infinite complexity of appearance by referring it to a geometrical scaffolding .
3 Private letters are like a conversation overheard , often more revealing than an autobiography , or than a diary which may have been written with more than half an intention of allowing it to be published .
4 Carritt bought it , correctly identified it as a lost early work , and magnanimously sold it to the National Gallery , London , far below the market price .
5 The entry for number 291 , a portrait of a woman , is a fair example of method : ‘ The quality of ( the picture ) seems sufficiently high for it to be acceptable as from Cranach 's own hand .
6 Flanner is rather sparing about details of Picasso 's personal life , knowing it to be so extensively documented .
7 An amusing parallel in the film business is an account given by the director Ken Russell of how he sold the idea of making a film about Tchaikowsky ; he described it to his potential backers as the story of a homosexual who fell in love with a nymphomaniac .
8 Together with its stultifying racial enmities , this seems to have brought it to a halt , and placed it beyond history .
9 Salim is an Aeneas who makes it to London , where those of his blood are founding a way of life , and he has his Dido both in Yvette and in Metty .
10 In books and interviews he has reminded the world that the French Surrealist poet Aragon , having praised Kundera 's excellent novel The Joke in 1968 , and having fulminated against the Soviet invasion of Czechoslovakia — his legs would ‘ refuse ’ to take him to Russia any more — made it to Moscow four years later ; and that another French poet , Eluard , abandoned his Prague friend , the Surrealist Kalandra , to the executioner .
11 Elsewhere , Frank Kermode has applied it to the fictions of Evelyn Waugh and Muriel Spark ( ‘ no matter what the characters say they all speak in some version of her voice ’ ) , while linking it with Bakhtin 's distinction , well-known now both in Russia and in the West , between the ‘ monologic ’ and the ‘ dialogic ’ imagination .
12 There are readers whom , as Zuckerman is the first ( or second ) to acknowledge , he can drive to the complaint that he has sex , and family matters , and Jewish matters , on the brain : ‘ I want him to take his manuscript and mail it to his mother ’ , as I have heard them cry .
13 If you want your weans to get homework then give it to them your tucking self .
14 He couples it to his complaining names .
15 In addition , protestant — loyalist politics has always been a zero-sum activity : one either has a monopoly of power or concedes it to the opposition .
16 I have often tried to describe it to myself , he wrote , but never with much success .
17 But it has to be said ( it has to be said ! ) wrote Harsnet , and Goldberg , typing , smiled to himself , it has to be said , wrote Harsnet , that if every project is likely , if not certain , to result in the addition of a little more shit to the shit that already exists , there is also the possibility , faint it is true but real , of the unexpected , and this is what delay makes possible and what the onward rush of time , the ever-increasing acceleration of time , perpetually denies , and in addition to the possibility of the unexpected appearing in the coils of delay , in addition to that , it has to be said , he wrote , that whatever the project , however trivial , however exalted , it will always say more than its maker knows , and , if genuine ( I will return to genuine ) , something will emerge which is distinct from whatever came before , from whatever elements went to make up the whole , a tone , a voice , which is not the tone or the voice of the maker but something else , something which , in my more optimistic moments , or perhaps my less clear-sighted moments , seems to be distinct from the shit though inseparable from it , a tone , a style , which links it to its maker 's other genuine ( I will return to genuine ) productions .
18 We will leave it to Goldberg to disengage the tone from the shit , he wrote , we will leave it to Honeyman and McGough , much good may it do them , though I will no doubt come back to the question before my project is completed , the big glass and the notes to the big glass , these two to be worked on at night , and this freewheeling commentary on both to be written by day , putting down whatever comes into my head after a night 's work , no correction , no revision , whatever comes into my head , the first two to be worked on by artificial light , the strategy clear , this by natural light wherever possible , no strategy at all , the first to be exhibited , the second to be published in the form of sheets in a box , a blue box or a red box , I have not yet made up my mind , in a limited edition , not a luxury edition but a restricted edition , five hundred boxes perhaps or even two hundred and fifty , all that will become clearer in the course of my work on the big glass , of my work on the notes to the big glass , now I have finally embarked on the major project of my life , the climactic project of my life , leading to the end of my life , all will grow clearer , wrote Harsnet , whether to try and call back and destroy all I have done till now or let it be , whether to burn this commentary or let it be , or perhaps leave it to Goldberg to do whatever he wants with , all these things will no doubt be resolved before the work is completed , that is the beauty of being in the middle of a project , that time itself , which had seemed such an enemy before I started , rushing forward and dragging me with it , impervious to my pleas , has suddenly turned friendly , flops down at my feet , licks my ankles , lets me know it is on my side .
19 We will leave it to Goldberg to disengage the tone from the shit , he wrote , we will leave it to Honeyman and McGough , much good may it do them , though I will no doubt come back to the question before my project is completed , the big glass and the notes to the big glass , these two to be worked on at night , and this freewheeling commentary on both to be written by day , putting down whatever comes into my head after a night 's work , no correction , no revision , whatever comes into my head , the first two to be worked on by artificial light , the strategy clear , this by natural light wherever possible , no strategy at all , the first to be exhibited , the second to be published in the form of sheets in a box , a blue box or a red box , I have not yet made up my mind , in a limited edition , not a luxury edition but a restricted edition , five hundred boxes perhaps or even two hundred and fifty , all that will become clearer in the course of my work on the big glass , of my work on the notes to the big glass , now I have finally embarked on the major project of my life , the climactic project of my life , leading to the end of my life , all will grow clearer , wrote Harsnet , whether to try and call back and destroy all I have done till now or let it be , whether to burn this commentary or let it be , or perhaps leave it to Goldberg to do whatever he wants with , all these things will no doubt be resolved before the work is completed , that is the beauty of being in the middle of a project , that time itself , which had seemed such an enemy before I started , rushing forward and dragging me with it , impervious to my pleas , has suddenly turned friendly , flops down at my feet , licks my ankles , lets me know it is on my side .
20 We will leave it to Goldberg to disengage the tone from the shit , he wrote , we will leave it to Honeyman and McGough , much good may it do them , though I will no doubt come back to the question before my project is completed , the big glass and the notes to the big glass , these two to be worked on at night , and this freewheeling commentary on both to be written by day , putting down whatever comes into my head after a night 's work , no correction , no revision , whatever comes into my head , the first two to be worked on by artificial light , the strategy clear , this by natural light wherever possible , no strategy at all , the first to be exhibited , the second to be published in the form of sheets in a box , a blue box or a red box , I have not yet made up my mind , in a limited edition , not a luxury edition but a restricted edition , five hundred boxes perhaps or even two hundred and fifty , all that will become clearer in the course of my work on the big glass , of my work on the notes to the big glass , now I have finally embarked on the major project of my life , the climactic project of my life , leading to the end of my life , all will grow clearer , wrote Harsnet , whether to try and call back and destroy all I have done till now or let it be , whether to burn this commentary or let it be , or perhaps leave it to Goldberg to do whatever he wants with , all these things will no doubt be resolved before the work is completed , that is the beauty of being in the middle of a project , that time itself , which had seemed such an enemy before I started , rushing forward and dragging me with it , impervious to my pleas , has suddenly turned friendly , flops down at my feet , licks my ankles , lets me know it is on my side .
21 How to keep doing what one enjoyed doing as a child but adapting it to the changing circumstances .
22 Do I owe it to myself to finish ?
23 And I looked upon the earth and saw a dish set , and workmen lying by it , and their hands were in the dish : and they that were chewing chewed not , and they that were lifting the food lifted it not , and they that put it to their mouth put it not thereto , but the faces of all of them were looking upward .
24 I could not formulate it to myself then but I felt the uniqueness .
25 Will really yield what I want it to .
26 Once we have landed on Mars we will be able to beam it to the galaxy , he said .
27 The clerk then dug out an umbrella and showed it to him .
28 To leave it to the transforming imagination .
29 I want it to be as though I had never been .
30 I want it to be as though I had never taken that turning .
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