Example sentences of "in an " in BNC.

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1 Three ACET staff members , Peter Fabian , Director of Resource Development , Sue Lore , a specialist HIV community nurse and Peter Glover , Press and Information Officer , featured on Radio Thamesmead , North Kent , in an hour-long chat show in April , speaking on AIDS and AIDS care in the community .
2 If for any reason you wanted to give each monthly payment direct to ACET , we could hold the money in an account in your name until the amount accumulated reaches the £600 threshold .
3 In an emergency you can reach an ACET doctor or nurse through our 24 hour on call facility .
4 When is an item worth over £60,000 ? ? ? … when it 's a prize in an Amnesty raffle .
5 Hew was convicted on the basis of confessions he had made under torture and because he had read The Dogs of War , a novel about a coup in an imaginary country widely thought to be based on Equatorial Guinea .
6 Agil Riyanto bin Darmowiyoto is serving his sentence in an island prison , far away from his home and family .
7 The young woman remembers how her mother would leave home at 5am day after day , and wait in the Marmoura forest near where the King used to play golf in an effort to plead with him for her husband 's life .
8 As there is no provision in the UK immigration rules for issuing visas to asylum seekers overseas , in an embassy or High Commission , there is a contradiction in the requirement of visas for asylum seekers to enter the country .
9 A 10th Anniversary article in the Observer referred to it as ‘ a small back-room in an alley off London 's Fleet Street , ’ and within days the office was getting letters addressed to ‘ Amnesty , Alley Off Fleet Street ’ .
10 The critic as advocate has been fortunate in twentieth-century France , where a climate of culture has brought art and literature together ; also art and philosophy , in the case of Jean-Paul Sartre 's advocacy of Giacometti , in whose emaciated figure sculptures the philosopher saw a metaphor of human struggle , even , as he wrote in an article in Les Temps modernes in 1948 , ‘ the fleshless martyrs of Buchenwald ’ .
11 As for planning , drama is relished in television , no doubt an incentive for Clark to describe the precarious survival of Western civilisation in an episode on the Dark Ages as being saved by ‘ the skin of our teeth ’ .
12 In an art museum , the works may be described from room to room , whether in a book or on a sound guide .
13 They have undermined long-cherished views of the writer or artist as a unique individual creating in the image of divine creation ( in an unbroken chain that links father and son as in Michelangelo 's God reaching towards Adam in the Sistine Chapel frescoes ) , and the work of art as reducible to a single ‘ true meaning ’ …
14 What private letters from an artist can do best is to elucidate what was uppermost in an artist 's mind at the time , often artistic aims which would be difficult to discover otherwise .
15 Buying and selling art is at its most dramatic in an auction , a fact that auction houses are quick to exploit .
16 In an art museum works can be studied at leisure , and will receive attention from scholars and experts of many kinds .
17 In short the pictures in an art museum have been closely monitored , often through decades and in a few cases for centuries , so full descriptions that appear in the catalogues have a thorough-paced authority .
18 The article appeared in an Italian magazine Metro , who had intended to pay $300 for an article ; but when Johns ' dealer , Leo Castelli , knew that Steinberg was considering an article , he arranged for the magazine to offer $1,000 , paying the difference of $700 himself .
19 For example , this passage in an article on Giacometti by the American critic Hilton Kramer :
20 The article written to this brief is likely to have an element of sensationalism ; curiosity about sex or money may be deliberately aroused ; conflicts in an artist 's life are likely to be dramatised .
21 The reader in this situation has a choice : the work in an exhibition can be measured against the artists ' manifesto ; or the critic 's interpretation and assessment can be used .
22 In an evaluation the critic may put personal feeling aside .
23 Guerrillas is set in an imaginary Caribbean country , whose capital city is by the sea .
24 ’ . Ilse had been trained in an orphanage , and he then tells her , with a smile : ‘ I would n't claim any privilege that an orphan was n't entitled to . ’
25 Anti-Semitism was not , it appears , a major threat in an environment where many kinds of threat and affliction — such as its gangster debt-collectors , the ‘ menodge men ’ — competed for consciousness .
26 Glasser 's prose is sometimes declamatory and sententious in an old-fashioned sort of way , and sometimes awkward ( ‘ Hidden in the near future , he was to be proved right ’ ) .
27 Glasser presents a full picture of the behaviour , good and bad , which he encountered in an area of maximum difficulty , and it is not often that such a picture has been presented .
28 He would appear to believe in an invented truth , an invented reality — a Rortyan reality , one might be inclined to call it at times .
29 Those who prefer to believe in an indivisible single self capable of originality will be sceptical of the Ackroyd scepticism .
30 It looks like an enlargement of the postcard which , in an age of mechanical reproduction , it was to become , commemorating the tourist attraction which it was also to become .
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