Example sentences of "in this " in BNC.

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1 In this way , with a little money but much commitment , a great deal can be done . ’
2 I believe ACET has an important part to play in this process . ’
3 If you would like to take to someone about matters covered in this booklet , there is a free and confidential service : National AIDS HELPLINE : Freephone 0800 567 123
4 In this way your gift to ACET will qualify for Gift Aid relief even though the monthly payments would be too small to do so .
5 I hope that you might be able to continue to help our patients in this manner . ’
6 ‘ ACET is working in this field because , like Jesus , they are getting alongside those in need and helping the rest of us to understand and minister to those both infected and affected . ’
7 In this , its 300th anniversary year , its role as human rights watchdog is as vital now as ever it was .
8 The British Section refugee office has played a leading role in this area of work , processing some 4,000 cases since 1980 .
9 Of course , none of the work carried out by Amnesty could continue without money and it is in this respect that sections , particularly the larger sections like the British , have a vital role to play .
10 The main opposition group in this region is the armed Liberation Tigers of Tamil Eelam ( LTTE ) whose political aim is a separate Tamil homeland ( Eeelam ) in North-East Sri Lanka .
11 Other cases are known to Amnesty International , where asylum seekers travelling without valid travel documents have been prevented by airline personnel , sometimes with the knowledge of Immigration Officers , from applying for political asylum in this country .
12 How to find the money necessary to carry out Amnesty 's work has always been a worry , and from the very beginning the Section Office asked groups for help in this area .
13 Art is a human activity consisting in this , that one man consciously by means of certain external signs , hands on to others feelings he has lived through , and that others are infected by these feelings and also experience them .
14 Roger Fry acknowledged German scholarship as a precursor of serious art historical studies in this century .
15 The artist as critic in this case deliberately avoided the historical context of the pictures she was discussing .
16 In modern China an attempt has also been made to create a national art , in this instance by partly discrediting tradition .
17 The explanation of the kind of art shown in this exhibition may be sought in the deep-seated and persistent interest which human beings have in the fantastic , the irrational , the spontaneous , the marvellous , the enigmatic , and the dreamlike .
18 It is in this more informal context that his draft for a sixteenth and ironical discourse should be read .
19 Lee makes firm judgements , as in this comment on a cave painting from the seventh century : ‘ The most famous figure at Ajanta is in Cave 1 and has been often described as the ‘ Beautiful Bodhisattva ’ .
20 This begins with the figure impinging powerfully from a distance , in this case as one walks into St Martin 's at Landshut , more powerfully than other things in the field of view .
21 Surveys of painting , it has to be admitted , are more fallible in this respect , partly because of the relative simplicity of the means used .
22 It is in this arena that some of the fiercest intellectual fighting about art is taking place , though the contests range wider than the visual arts to politics and economics .
23 Subsidies are available from a limited number of sources , such as government agencies , charitable foundations , and , today very rarely , private individuals ; there is a factor of prestige to be counted in this sponsorship , mediated by the decisions of committees .
24 His aim in this was as far as possible to translate changes of tones into changes of colour , feeling that only by this method could the full saturation and pressure of colour be realized .
25 I must admit therefore that there is one passage in this otherwise consummate design ( A Fruit Dish ) of which the meaning escapes me .
26 But he is soon forced to the conclusion that in this case it is impossible to keep the aesthetic side entirely apart from the biographical .
27 In this instance the individual exhibited items are unnumbered and put in a check list ; the main critical writing is within 136 pages , written in ten sections by Judith E. Stein ( six sections ) and Ann-Sargent Wooster ( four sections on video ) .
28 In this respect , the scholarly standard of a private collection 's catalogue will be very high , and the sort of information which a reader can expect will be the same .
29 To look at the work of an art critic in this way we have to turn to historians of taste for the past and to journalists for the present .
30 The underlying question for a reader of criticism is what influences are exerted on the critic ; but as in this instance , for long it may be impossible to know the truth .
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