Example sentences of "as [art] " in BNC.

  Next page
No Sentence
1 Know , thinking about people walking back as far as t' shopping my point .
2 As the doctors are still with Tony , I explain the position to the daughters and hand Mum over to them .
3 This procedure is perfectly acceptable provided that your new commitments are at least as great as the remaining commitments due under the orignal covenant .
4 You also need to bear in mind that you may have other payments under existing deeds of covenant or other payments made under Gift Aid in the same tax year , and you will need to have a taxable income at least equal to the gross amount of all these payment , as well as the Gift Aid payment being contemplated , otherwise you will have to account to the Revenue for some tax .
5 Our new 24 page full colour schools booklet has been widely acclaimed by teachers and pupils as the best AIDS resource they have ever seen .
6 It excludes the contributions made by individuals who finance the sending of telexes and telegrams as well as the funds required to support national sections .
7 If challenged to justify why blacks are struck from the jury , prosecutors offer the most ridiculous reasons — ‘ he looked dumb ’ , ‘ he lived in the same part of town as the defendant ’ ( most blacks live in the same part of town ) , ‘ he was a mason and I was worried about masonic links ’ ( the prospective juror was a stone mason by profession ) .
8 Art is not , as the metaphysicians say , the manifestation of some Idea of beauty or God ; it is not , as the aesthetic physiologists say , a game in which man lets off his excess of stored-up energy ; it is not the expression of man 's emotions by external signs ; it is not the production of pleasing objects ; and , above all , it is not pleasure but it is a means of union among men joining them together in the same feelings , and indispensable for the life and progress towards wellbeing of individuals and humanity .
9 Art is not , as the metaphysicians say , the manifestation of some Idea of beauty or God ; it is not , as the aesthetic physiologists say , a game in which man lets off his excess of stored-up energy ; it is not the expression of man 's emotions by external signs ; it is not the production of pleasing objects ; and , above all , it is not pleasure but it is a means of union among men joining them together in the same feelings , and indispensable for the life and progress towards wellbeing of individuals and humanity .
10 As the following chapters will show , the useful and helpful functions of art criticism will receive preference in the choice of what is quoted or discussed .
11 She is older than the rocks among which she sits ; like the vampire , she has been dead many times , and learned the secrets of the grave ; and has been a diver in deep seas , and keeps their fallen day about her ; and trafficked for strange webs with Eastern merchants ; and , as Leda , was the mother of Helen of Troy , and , as Saint Anne , the mother of Mary ; and all this has been to her but as the sound of lyres and flutes , and lives only in the delicacy with which it has moulded the changing lineaments , and tinged the eyelids and the hands .
12 Her college library has interesting books , as well as the latest art magazines .
13 Guys ' drawings appeared in such papers as the Illustrated London News , a very successful venture begun in 1842 , the decade which also saw the founding of satirical journals like Punch or Kladderadatsch .
14 In these 239 murals , covering a surface of 1,585 square metres , there are traces of many influences making up a popular and forceful imagery : ‘ The codices , pre-conquest sculpture , popular art , the study of living people , the colour of nature as well as the paintings of the misnamed Italian Primitives , together with the modern artistic tendencies to which Rivera himself had contributed during his stay in France , all went to form his own peculiar style , which is apparent for the first time in these frescoes . ’
15 This took such forms as the praise of regionalism in the United States in the 1930s , Marxist criticism in London or New York , or Communist positions taken by Italian critics after the Second World War .
16 The idea that there is such a thing as the spirit of a time can be awkwardly challenged by asking , ‘ Whose time ? ’
17 Such polarities were evidently valuable aids to several generations of Wölflinn 's pupils who could benefit from his personal teaching as well as the rather more rigid theory in his books .
18 A powerful sitter may also impose a requirement that the portrait looks impressive , so that an amused spectator can look for traces of the consequent power struggle in a picture ; Queen Elizabeth I of England was as firm as the Emperor Augustus about the principle that a ruler 's actual appearance matters less than the imprint of authority .
19 An art historian may choose to elucidate the social context of the art , or trace its sources in the work of other artists ; these choices will be reflected in the illustrations as well as the text , while sketches , other versions of pictures and related material will be available for the reader to make comparisons .
20 A consequence of this tradition is that the sculptor 's own personality may receive less prominence in a monograph than a painter 's , as the effect of patronage given or withheld can be decisive in a sculptor 's career .
21 Also , the history of sculpture includes some account of the abortive plans for sculpture , just as the history of architecture is incomplete as a history of ideas without a knowledge of rejected proposals .
22 Similar treatment can be found in works on great monuments and schemes , perhaps especially in the Italian Renaissance , when such projects as the Sistine Chapel or Tintoretto 's Scuola di San Rocco achieved a personal artistic unity of the highest standard .
23 As the decades have gone by , scholarly work has piled up , so that this category of book has taken a larger , longer and much more expensive form than before .
24 Historical knowledge is the surest cure for this damaged intellectual condition , as the history of taste will show many examples of the irrelevance of monetary value to artistic quality .
25 For this reason we have the feeling that a Braque jug is just as real and valid , just as much a distinct unity , as the jug that comes from the potter 's wheel .
26 It was originally reviled , as the artists intended , for its rejection of conventional values of art and society .
27 One law for the rich and another for the poor , as the two systems can be made to seem , are laid down together in a book which commemorates a desertion , on the author 's part , of the rich for the poor .
28 As the analyst said , it is not discovered but made .
29 We may be meant to think that time is simultaneous , in a way that may owe something to the simultaneity propounded , ‘ perhaps ’ , in Eliot 's Four Quartets , where ‘ History is now and England ’ ; or that it is cyclical , a turning wheel , with human depravity paling into insignificance as the wheel turns into modern times .
30 He too , dies the early death of romance — en poète , as the poet Burns put it with reference to his own fate — and his end is enveloped in the consequences of his supposing that he has lit upon some Chatterton manuscripts .
  Next page