Example sentences of "[noun pl] [was/were] for [det] " in BNC.
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1 | The Technical schools were for those who had a technical , practical bent . |
2 | This is interesting , because we know that even in the post-exilic period a considerable proportion of the Jews was for all practical purposes polytheistic . |
3 | The only 10 year awards were for those who had worked for LASMO elsewhere — Rupert Kidd , LASMO Pakistan 's general manager , and Chris Riley , finance and administration manager . |
4 | Explanations were for those who mattered to her . |
5 | Henceforth socialist organisation in the universities was for many years weakened by division between ‘ socialist ’ — i.e. Communist-controlled or influenced-societies and Labour Clubs supporting the Labour Party . |
6 | As a result , many men who in law ranked as tenants were for most practical purposes the de facio owners . |
7 | The highest rates were for those charged with theft of or from a vehicle ( 23 per cent . |
8 | For most of the time the ‘ Big Bird ’ preferred to sacrifice the flat-out pace of his team-mates for accuracy and control , taking wickets by making the ball swing and cut , and so in Tests was for some years used as first or second change bowler . |
9 | Indeed , as mentioned above , the railways were for some years under the direct control of the sponsor ministry ( at that time the ministry of public works ) . |
10 | It also coincided with the rise and consolidation of the labour movement in Britain ; and that is a story from which women were for many years absent or in which they featured very much as a minority . |
11 | In distinction to this , morality , for the Victorians and increasingly for the generations that have come after , has been to a significant degree organised around concepts of sexuality , so that even when moral attitudes were authoritarian and restrictive , as the dominant notions were for much of the nineteenth century , sexuality had a vigorous presence . |
12 | Picasso 's extensive series of variations on Las Meninas was produced in 1957 , but even if Gironella knew of them when he himself began to work on versions of Velázquez ( which is highly unlikely , as Picasso 's paintings were not exhibited until 1959 ) ; even though their interest in the art of the past at that point in their careers was for both , perhaps , a rejection of abstraction ; and even though both can in some way be defined as exiled from their Spanish roots , as outsiders looking in — — yet the results are widely divergent . |