Example sentences of "[modal v] see [pron] [art] " in BNC.

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1 I must see her every day , she must face it full on and she , as , I must stay here , and so Alison must be here too .
2 I might erm I might see what the sleeve 's like , I might er er wait and see how much wool I 've got
3 You 'll see me the moment you 're released , I promise .
4 You 'll see me the moment you 're released .
5 You 'll see me the moment you 're released .
6 If you do n't press your arrow you 'll see what a mess you 've created in your document !
7 ‘ We 'll see what the police 'ave to say about it , ’ he said , putting it in his pocket .
8 Go into the art galleries along the Normandy coast and you 'll see what the local painters liked to paint , over and over again : the view north .
9 So we 'll see what the Eyecron does .
10 We 'll see what the village has to add . ’
11 I 'll see what the fruit cup 's like . ’
12 Now we 'll see what the government does in response to er all their friends who are going bankrupt in the Lloyds er cos er that , in that scandal , on the one hand you 've got the government trying to save its neck with its forty four MPs who 've had their , had their hand in the till at the same that they 're doing that , they wo n't actually meet the just demands of people who 've worked all their lives to actually have some sort of security in the future , and that 's the ol er sort of double standards they 're gon na try and er and use to get off the hook on that one because they owe people in this country a decent , we should have the right to a decent pension and security , employment and er with this , this campaign , we should be , we should be concentrating on as a major issue for this union in the forthcoming year .
13 ‘ I 'll see what the garage says .
14 We 'll see what the cardiothoracic guy has to say . ’
15 well again we 'll , we 'll see what the time is like wo n't we ?
16 ‘ We 'll see you a week today , then , ’ she enthused , ‘ We 'll look forward — ’
17 and I 'll see you a week on Friday
18 Right we 'll see you an hour and a half from now .
19 Only in mathematics do we see a successful artificial and international language , though when we come to talk about visual language we may see something a little like it ; and music might count as a language , though one in which it is hard to say anything very definite .
20 But when we come to look at the cluster and the and the audience contact then then you know we may see something a little bit different , Okay but er those are the important aspects things like things like whoops the use of the hands you know several people put their hands in their pockets or put them behind their back or something like that .
21 There is a sense in which after much complex art , much elaborate art , much sermonizing art of the sort I was talking about earlier , people sometimes get the urge to simplify things down and in a sense they say let's go back to the five finger exercise , let's see what a note on the piano sounds like instead of playing , you know , Chopin or Stravinsky all the time , let's remind ourselves what the actual note sounds like , or two notes together , or one note and then a gap and then another note , and you suddenly become aware of the richness , in a sense in these very simple elements .
22 Now , let's see what the pair of you have selected .
23 Let's see what the management have to say !
24 Let's see what the newspapers have to say ! ’
25 Anyway , a bumper crop of entries have been sent in for my perusal with a phenomenal response for the Hi-Tec and Elvira puzzlers so , waffling aside , let's see who the lucky pilchards are this time .
26 Let's see who the murderer really is . ’
27 Yeah , well let's see yours a minute .
28 Food is highly expensive and you could see what a hard time people had been through .
29 Even Nutty could see what an apathetic beast he was , and her heart contracted suddenly at the thought of their four stupid old horses going back to the knacker 's .
30 If only she could see what an act it was , how scared Lucy was now feeling deep inside .
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