Example sentences of "'ll [adv] [verb] [prep] [det] [noun sg] " in BNC.

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1 But you can make it different , George , if you 'll only cooperate with this television thing .
2 you make your sound and you carry on and on and on , I 'm gon na keep on taping different people 's make their sound and then we 're gon na see what it feels like you 're in hospital , okay , now it does n't matter if somebody 's got the same sound as somebody else , it 's no big deal , alright , because eventually they 'll all blend into each other , but as soon as I 've tapped you , make your sound , alright patients , come on where 's the machines ? okay , stop , now when did it start becoming out of hand ? , at one stage we did n't really know where we were to , once , once I say ten people , okay , and that was also due to the fact that we had perhaps too many erm patients moaning , alright , it was good in one respect because why , it made obvious that we were in a , a hospital well something like , but erm when you 're in smaller groups and you 're making your sound machines , obviously it 's much easier to control and to make the overall sound more realistic , do n't you think ? , so , mm , what we 're going to do is we 're going to get into different groups , into groups of four , five , no big deal , you 're welcome to only if you want to , and , you 're going to , each group is going to choose er a profession , okay , you can be brick layers , you can be er musicians , er you can be er gardener , I mean absolutely you can be factory workers , you can be absolutely anything , and what you 're going to do is you 're going to choose , each person will choose a sound which is represented of that particular person , er profession , okay , and you 'll going to make your sounds simultaneously so that as for the audience who are simply listening to you can just close our eyes cos we wo n't , you wo n't be acting you 'll be making these sounds and using , we 'll close our eyes and we 'll know exactly where we are , okay , and then after that once we 've done that just , before you choose your profession to know what this is going to lead onto , after that we 're going to put movements to that profession , so when , if you were in a factory going er putting bottles on , on top top of bottles , you would have the movements going and you would have the sound going and I want you to build up , up , the sound machine which becomes the movement machine as well , so you 're almost robotic so you , shh , shh , or whatever , however your sound , and each person does their thing in the factory or where ever they are and we will be able to see from listening and looking at the movements and obviously remember just because you 're not an example it does n't mean you ca n't talk , there might be for instance there would be a doctor going stand back , stand back , you know , er , in , in the you can use voices , but also obviously very , very effective to have sound voices , shh , shh , to create that part of it , have instruments , but this is how they actually started lay down sound tracks for movies , people specialize
3 We could go down and then , that way , and then we 'll all go to this way , and then join it up again .
4 I 'll just hammer in this bit here . ’
5 Myth no. 5 : exercise will take too much of my energy and leave me exhausted If you 're exhausted at the end of the day , you 'll probably benefit from more exercise not less .
6 We still work in the same building , so we 'll often pop into each other 's offices or talk on the phone , although Peter often blips me on my computer .
7 He 'll often cut through this way to go over to Wellington into Crowthorne and walk all the way round .
8 I 'll even throw in some henna for you to tart it up . ’
9 ‘ Come , let's have a drink before we 're blown to smithereens ; they 'll likely start at any time . ’
10 Nenna thought , if he does n't look my way I 'll never speak to him again , and in fact I 'll never speak to any man again , except Maurice .
11 ‘ If you send Dickon away , I 'll never come into this room again ! ’
12 It 'll never dry at this rate . ’
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