Example sentences of "and it is " in BNC.

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1 Of course , none of the work carried out by Amnesty could continue without money and it is in this respect that sections , particularly the larger sections like the British , have a vital role to play .
2 Since art critics have these working assumptions in mind , and it is with their writing we shall be mainly concerned , we need to proceed without being distracted .
3 The reader can hope , all the same , that the writer will give an account of the special merits of key pictures , and it is these art critical passages which can be of most help in enjoying or appreciating the chosen artist 's achievement .
4 There are many galleries through the world , and it is no longer so difficult for an artist to show work independently .
5 It is a usual feature of such a comparison that there is a basic level of information which is common to most of the reviews , and it is the mark of a skilful critic to have worked in some personal assessment of works , or some individual response to the show as a whole .
6 Naipaul 's Caribbean country has been looted and exploited in the past , and it is still being looted and exploited .
7 Of the stories I have in mind , Othello and Desdemona , Samson and Delilah , Dido and Aeneas , only the third is spoken of , and it is spoken of oracularly .
8 This is a book which takes for granted , and which has doubts about , the mingling of peoples , and it is a book which takes pride in its chosen people — Salim 's people and , in some measure , Naipaul 's .
9 Glasser presents a full picture of the behaviour , good and bad , which he encountered in an area of maximum difficulty , and it is not often that such a picture has been presented .
10 Pastiche is a dualistic activity , and it is an activity which can lend itself to the expression of paranoid feelings and unacted desires .
11 The expression I am quoting is uttered by Dyer , and it is an expression which Ackroyd is given to using in his books .
12 And it is apparent that Ackroyd has found himself in this manner — through exposure to Wilde , Eliot , and now Chatterton .
13 Lyricism is inexperience , and it is the desire for glory .
14 The lyricism that sells out to a state-ordained reality and solidarity is not the only lyricism we know , and it is the opposite of much of what we know by that name .
15 And it is not easy to know how far Kapuscinski 's book is a book about a bygone Ethiopia .
16 She is indeed ready to die , and it is a difficulty that Justin may feel that he has to do the same .
17 And it is a trip in its own right , on the teller 's part .
18 Both Amis and Eliot can be considered seasoned disapprovers , and it is probable that Amis shares the other writer 's distaste for the biographical critic , whose activities may be responsibly conducted , and are generally acknowledged to have been successful at times , but have often been reckoned to fail .
19 And it is a condition which can be recognised in the reception of his work .
20 The dualistic ambience in literature has long been influential , but has remained controversial , and it is both influential and controversial in these annals of the House of Roth .
21 Kelman makes Doyle charming , and it is impossible to read the book without gaining the sense of a fully-developed authorial fellow-feeling .
22 Well it 's meant to be the fucking opposite and it is the fucking opposite .
23 The women are the vessels of a better spirit ; the injury to them is greater , and it is their own men who are responsible for some of that injury .
24 The one-year course is only to lay down the foundations of good technical training — and it is widely recognised that the course simply pushes the student into the profession with enough practical experience to find his or her feet .
25 Shakespeare is the most widely known and read of the classical playwrights and it is for this reason that a piece from one of his plays is nearly always obligatory at a drama school audition .
26 The selection is right if it truly works for the competing student , and it is the quality and force of the imagination that will carry off the performance of the piece .
27 The question of accent is important too — you need to be confident of the accent with which you are working , and it is always advisable to present an accent you are familiar with or at least can work with comfortably .
28 Part of the time he may almost be unaware that he is speaking to another person — after all Gila does n't understand English very well and it is unlikely that she would fully understand the references to Rupert Brooke and the poem ‘ The Old Vicarage , Grantchester ’ .
29 Ideally the classes support the work done on the production project and it is particularly valuable if there is strong liaison between voice and movement tutors with the director of a project — not least in helping students see how the instructional classes connect with their own performances .
30 Yet every now and again a student emerges who shows exceptional talent and it is quite natural that a drama school will make sure that his/her ability is given a good stretch in public with a major role , perhaps playing Hamlet or Hedda Gabler .
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