Example sentences of "[pron] it is " in BNC.

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1 I think it 's I it is .
2 I it is not envisaged I mean I must n't mislead you at all I want I want to be understood on this issue .
3 When you meet someone it is called eyeballing .
4 Uncovering hidden objections is crucial to successful selling because to convince someone it is necessary to know what he/she needs to be convinced of .
5 Hair by someone it is .
6 The 5 speed Rover gearbox tends to chatter when running light , but without hearing yours it is difficult to say if it is louder than normal .
7 Us an Dem it is Us an Dem
8 Us an Dem it is Us an Dem .
9 Us an Dem it is Us an Dem
10 Us an Dem it is Us an Dem
11 And tha that is one thing I 'm , I mean I 'm not I 'm not the best driver in the world , but that is one thing I do try not to do cos as you say no matter what the circumstances are , if I go up the back of somebody it is my fault .
12 When Gandhi maintains that by means of prayer he invokes the divinity within himself it is evident that he draws no hard-and-fast distinction between the Self or Ātman within and God or Truth .
13 He tells himself it is only panic .
14 Mind or memory is that total creative capacity for consciousness , which also contains that which is below the level of immediate recognition — man 's full potential for knowledge , which is like God himself It is the theatre of human integrity which involves the other two faculties , " resoun " and " will " .
15 In truth the work exhibits great variety , not only in the gestures and postures of the different figures , but in the composition of each subject , besides which it is very interesting to see the various costumes of those times and certain imitations and observations of Nature .
16 The enigmatic three dots to which it is impelled are those of a romantic orphan , as well as those of his reticent doctor .
17 Once again , a sufferer is seen to be mad , and his fearful sense of what he is up to can be seen to dominate the book in which it is in the end defeated or controverted .
18 Startling the commuter is a game in which it is best to think so .
19 The irony of my vision of the glass burning up the rest of the exhibits in the gallery in which it is housed , when here it is , burning up everything around it in this flat , burning me up .
20 ‘ Something under a fifth of a teaspoonful — say four or five drops — added to which it is highly soluble . ’
21 Then try to use any lift nearby , keeping within easy reach of the field and in a position from which it is easy to drop on to the circuit .
22 Our structural reality is pre-selected on the basis of value and really to understand structured reality requires an understanding of the value source from which it is derived .
23 However , the angle at which it is applied makes it very risky from the point of view of defending yourself .
24 Recent work has confined that it is not possible to measure intensity of subjective sensation in a way that is distinct from and independent of measurement of the physical stimulus from which it is derived ; that Fechner 's logarithmic transform exists only as a mathematical construction to link reports of sensations with measurements of stimuli ; and an experimental subject 's conformity to Stevens ' power law depends on his getting the experiment ‘ right ’ .
25 A considerable time advantage over polyurethane finishes , against which it is match .
26 Despite what some modern choreographers seem to believe , the human body has certain well-defined limitations beyond which it is not possible to go , no matter how hard the choreographers push their intellectual ideas .
27 Altering the look of a step can involve changing the time signature or tempo to which it is danced , the direction it takes or a change of épaulement , its quality and expressiveness , to name but a few .
28 The difference lies in the rhythm of the pipe tune to which it is danced .
29 However some of the most expressive movements are made by the head because the way in which it is used can draw attention to the look on the face .
30 The sociologists of art who discuss music have to restrict themselves to the conditions in which it is performed , produced , or received , rather than the music itself .
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