Example sentences of "that he " in BNC.

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31 In other words , Braque divines the essential spirit — one might almost call it the ‘ soul ’ — of each object that he paints .
32 It was in 1761 , that he first wrote an account of one of the Salons , which was circulated with his other correspondence in the fashion of the time by his friend Grimm .
33 David listened and frankly avowed that he had not been conscious of all these grand ideas .
34 Well , it can be said that he does not allow his mercilessness to go undetected on this occasion .
35 A journalist politician , Meredith Herbert , is made a minister — perhaps in order that he should be damaged by having to deal with the people on the streets ; he is , perhaps , physically beaten up .
36 Reading Salim 's palm , the man points out that he is ‘ faithful ’ .
37 It is headed by the big man 's white man , the Belgian scholar Raymond , who has lost favour with his patron and is sinking into ceremonies of highly-placed sagacity , Salim has an affair with the white man 's white woman , his stylish wife Yvette : radical chic persuades him that he ‘ never wanted to be ordinary again' .
38 Salim is now homeless in the sense that he has shed an old tendency to nostalgia : ‘ the idea of going home , of leaving , the idea of the other place ’ , he takes to be weakening and destructive .
39 Salim states that he was having a rough time , and was tired and suspicious of Yvette : he does not say that a tribal god commanded him to leave her .
40 He was never to say hello to you , and he once said that he would not be interested in his child ‘ until he can go out shooting with me ’ .
41 A romantic orphan , though , who was able to accept that he had caused his brother to suffer .
42 Later in the book Mr Fraser recognises that he has talked both of rubbing out the past and of preserving it : ‘ The aims seem contradictory , do n't they ?
43 This is a split that can rarely have been witnessed in Glasgow — which does not indicate that he was at fault in consulting his analyst , but does indicate that these autobiographies are sited in very different places .
44 About these matters it seems to me that he writes really well , in a manner that might suggest the intent translation of a Latin author anxious to tell the truth .
45 Peter Ackroyd is all of the formidable pasticheur that he is praised for being , and Dyer 's tale , which affects to be that of someone who lived in the eighteenth century , and in which the element of imitation , present in writing of every kind , is more obtrusive than it is in the other tale , is the livelier of the two .
46 All four books reveal a steady concern with imitation and interpretation , and to read them together is to be clearer about what it is that the writer intends us to think that he thinks about things .
47 They wo n't accept with Charles Wychwood that ‘ everything is copied ’ , and wo n't accept his opinion of Chatterton : ‘ Thomas Chatterton believed that he could explain the entire material and spiritual world in terms of imitation and forgery , and so sure was he of his own genius that he allowed it to flourish under other names . ’
48 They wo n't accept with Charles Wychwood that ‘ everything is copied ’ , and wo n't accept his opinion of Chatterton : ‘ Thomas Chatterton believed that he could explain the entire material and spiritual world in terms of imitation and forgery , and so sure was he of his own genius that he allowed it to flourish under other names . ’
49 The second half of this can be seen to coincide with the opinion of Chatterton which is expressed by Ackroyd 's Wilde : ‘ a strange , slight boy who was so prodigal of his genius that he attached the names of others to it . ’
50 Some good thing had been voiced , and Wilde had remarked that he wished that he had said it — and was then told : .
51 Some good thing had been voiced , and Wilde had remarked that he wished that he had said it — and was then told : .
52 Not that he can mind that .
53 What he does seem to mind — and what even the most arbitrary-seeming , the most ludic , of his ironic and erotic diversions and excursions show that he minds — is the regime that came to power in his native country after the revolution of 1948 .
54 In the opening story Miriam distributes milk to the tenement building and favours the boy with an extra helping : but he never gets to tell her that he is the lyric author of poems ‘ about love .
55 It has been said of him that he would rather live in his native country , and not be allowed to publish , than go elsewhere and be free to do so .
56 By now Kapuscinski is on his ‘ last legs ’ , and he telexes Warsaw to say that he wants to leave and that it is ‘ more or less clear ’ that ‘ the Angolans will win ’ .
57 She is indeed ready to die , and it is a difficulty that Justin may feel that he has to do the same .
58 T. Behrens gives the impression that he has more to say about himself than the progress of this mad love — to which he did not stand all that close at the time , brother as he was — has allowed him to come up with .
59 This particular girl , a model , is putting Patrick in his place by going on about cars : ‘ Most of my friends have them on the firm , ’ she said , with the sort of lift of the old proud head that he could hardly believe had not accompanied a limiting judgment on Villiers de l'Isle Adam . ’
60 He fancies that Simon is Jewish , and that he gives off ‘ a slight hot smell ’ .
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