Example sentences of "not the " in BNC.

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1 Art is not , as the metaphysicians say , the manifestation of some Idea of beauty or God ; it is not , as the aesthetic physiologists say , a game in which man lets off his excess of stored-up energy ; it is not the expression of man 's emotions by external signs ; it is not the production of pleasing objects ; and , above all , it is not pleasure but it is a means of union among men joining them together in the same feelings , and indispensable for the life and progress towards wellbeing of individuals and humanity .
2 Art is not , as the metaphysicians say , the manifestation of some Idea of beauty or God ; it is not , as the aesthetic physiologists say , a game in which man lets off his excess of stored-up energy ; it is not the expression of man 's emotions by external signs ; it is not the production of pleasing objects ; and , above all , it is not pleasure but it is a means of union among men joining them together in the same feelings , and indispensable for the life and progress towards wellbeing of individuals and humanity .
3 One must never forget that the reality of the twentieth century is not the reality of the nineteenth century , not at all and Picasso was the only one in painting who felt it , the only one .
4 Even in Europe , Saturn is not the only planet under whose influence it is possible to be born .
5 Yet I know of no picture in which the mid-day heat of Midsummer is so admirably expressed ; and were not the eye refreshed by the shade thrown over a great part of the foreground by some young trees , that border the road , and the cool blue of water near it , one would wish , in looking at it , for a parasol , as Fuseli wished for an umbrella when standing before one of Constable 's showers .
6 This section will consider not what the critics write in reviews of exhibitions , but the criticism which is contained within the exhibition catalogues ; not the commentary from the box , but the programme of events .
7 Unluckily , this may be of little help to the reader if the pictures illustrated are used as mere decoration , and not the subject of critical discussion .
8 The unfavourable reception of Impressionism by the French critics is notorious ; but Impressionism was not the only group to gain a name from a review — the Fauves and Cubism share this .
9 Describing the object is not the only sort of description that a reader can expect from a critic .
10 The exchange has roused the analyst to contributions that are firmer and more energy-consuming than those he generally vouchsafes : ‘ it 's not the past but what we make of the past that shapes our future and present . ’
11 To say this is not the same as complaining of his acknowledgement that poor people can have a good time .
12 The lyricism that sells out to a state-ordained reality and solidarity is not the only lyricism we know , and it is the opposite of much of what we know by that name .
13 Byron 's is not the only ghost to be detected here : the cold hearts of his precursors Lovelace and Laclos 's Valmont are present in Pechorin , who has succeeded in attracting a certain princess .
14 This is not the first time that such considerations have arisen for readers of his fiction .
15 What interests her , apparently , is not the remark itself , but ‘ the degree to which the piece of recall ’ — her piece of recall , presumably — ‘ failed to affect the novel in any way ’ .
16 It is not the case that all her objections are mistaken .
17 It 's often thought that previous attempts have failed because there are n't enough well-trained classical actors in the USA to make such a repertory company feasible , but this is increasingly not the case : American drama students are eager to train in the UK , and the percentage of successful auditions held is relatively high .
18 Yet it is not the reality of a naturalistic drama , such as we would find in , say , Ibsen or Chekhov .
19 There 's not the smallest orb which thou behold'st
20 No particular accent is asked for , but Mike is not the conventional public school type who has gone to Cambridge .
21 History was sex , French was sex , art was sex , the Bible , poetry , penfriends , games , music , everything was sex except biology which was obviously sex but obviously not really sex , not the one which was secret and ecstatic and wicked and a sacrament and all the things it was supposed to be at one and the same time — I got that in the boiler room and it turned out to be biology after all .
22 I could afford the naked women but not the naked scepticism , the carping and sniping and the public washing of dirty linen which represents freedom to an English editor .
23 There are not the chances around these days as there were some years ago .
24 A main real difference in the experience which marked it off from fundamentalist and some pentecostal forms of conversion experience was that the outcome was not the assurance of being saved , but rather a spirituality of trust in Christ based on repentance and the conviction that God forgives repentant sinners .
25 The structure of this oppressive power contained not the Roman catholic church as state executive , but as what Gramsci termed ‘ an organic intellectual ’ , as a planner and co-executor of the ethos of the state , merging this public aspect of the catholicism of the day with ideological elements from more recognized sources of catholic-Irish nationalism : the language movement , anti-imperialism and , generally , catholic-Irish domination .
26 Grounds for the bishops ' opposition were that only parents and not the state should have the right to provide for the health of their children , that the state had no role to play in the physical education of children and mothers , and that individual privacy would be threatened by public use of their private health records ( Whyte 1980 : 213–14 ) .
27 However , it was not simply a strategy , but embodied a particular ideology : the belief that the bishops were the church above all , and that they , not the laity , were the ones to communicate with the state .
28 The shifting consensus of church and state was not the major feature of the period .
29 But it has to be said ( it has to be said ! ) wrote Harsnet , and Goldberg , typing , smiled to himself , it has to be said , wrote Harsnet , that if every project is likely , if not certain , to result in the addition of a little more shit to the shit that already exists , there is also the possibility , faint it is true but real , of the unexpected , and this is what delay makes possible and what the onward rush of time , the ever-increasing acceleration of time , perpetually denies , and in addition to the possibility of the unexpected appearing in the coils of delay , in addition to that , it has to be said , he wrote , that whatever the project , however trivial , however exalted , it will always say more than its maker knows , and , if genuine ( I will return to genuine ) , something will emerge which is distinct from whatever came before , from whatever elements went to make up the whole , a tone , a voice , which is not the tone or the voice of the maker but something else , something which , in my more optimistic moments , or perhaps my less clear-sighted moments , seems to be distinct from the shit though inseparable from it , a tone , a style , which links it to its maker 's other genuine ( I will return to genuine ) productions .
30 The big glass and the notes for the big glass , he wrote , not the big glass by itself and the notes by themselves , the big glass and the notes for the big glass , the notes for the big glass and the big glass , he wrote , never the one alone or the other alone , for neither by itself has any meaning , neither by itself will have any force , but always both together , not as text and gloss , not as image and caption , but always as exchange and delay , mirror and reflection .
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