Example sentences of "that [pron] [is] [pron] " in BNC.

  Next page
No Sentence
1 It made me realize that things need n't be , that nothing is what it seems in life , that there are no rules . ’
2 but a when when somebody when it 's becoming apparent that somebody is I would n't say is not interested in your little complaint that you 've got and that that they 're they 're trying to change to subject it 's difficult to keep them on it
3 The lumpy smoothness of all its surfaces reinforces the sense that Plenty is something organic , something that was generated , not constructed .
4 But , but I had more to do with her than Evelyn but er from what little bits I 've gleaned , you know , er I 'm a bit into everything like , and I seem to think , I 've got a f strange feeling that she 's something to do with education and they 're worried about children not speaking properly eventu
5 ‘ All I shall tell you is that she 's somebody Mother knows . ’
6 If you 're going to tell me that she 's your sister , I 'd say you 'll have to try harder . ’
7 I could have strangled her many times ; only the fact that she 's your sister prevented me . ’
8 ‘ It 's quite true he 's my boyfriend and our relationship is very special , ’ while he countered : ‘ It 's just not true that we 're going out together , or that she 's my girlfriend . ’
9 I 'm so glad that she 's my little girl she 's so glad she 's telling all the world that her baby buys her things you know
10 so glad that she 's my little girl she 's so glad she 's telling all the world bleagh
11 I feel fine I 'm so glad that she 's my little girl she 's so glad she 's telling all the world that th
12 so glad that she 's my little girl she 's so glad she 's telling all the world Turn it up a bit then .
13 You know , once when I was in Wembley like , another thing that I 've noticed that changed in our place at Wembley , like every time I used to go in there , all , well , when I used to be in there , like , all the lads would be in the office with her like talking to her , and laughing and smiling and and she used to be at the desk smiling and everything and now , when I walk in there now it 's only me like on a Saturday , and it 's only her like nobody else is in there with her , she 's al , she always she 's got , I think what 's happened is she got too deep into her work that she 's she just seems to take all her work now and that .
14 I 've thumped it into your ears that she 's mine and she 'll remain mine .
15 The source added : ‘ Di told Enya that she is her number one fan , and they have since met again and have now become quite good friends . ’
16 And at the end of it all , realising how much she has contributed to and gained from this greatest of all creative acts , she proclaims that she is Myself , Myself .
17 We must be prepared to make value judgements — allow Milton to be better than Michael Jackson in absolute terms , not just because that one 's your cup of tea and that one 's mine .
18 So that one 's mine , I do n't want it , I 've had enough , you 've had as much as me , get on with your pizza
19 What this means is that the taking of leisure is self-defeating ; the fact that one is one 's own boss adds to , rather than subtracts from , the psychological pressures to do housework .
20 And that something is nothing more than their inward consciousness , heavily hemmed in by their subtle and instinctive mental processes .
21 The one point on which Mr Golyadkin and Double were agreed was that there is nobody like God , but it follows pat and false that if a man has nowhere to go God will look after him .
22 Er it 's something that we 're trained in to ensure that there is nobody hiding behind the door .
23 Most drama training works on the assumption that there is something called ‘ standard English ’ , which is generally considered to be the ‘ straight ’ delivery of words without affectation or regional variation .
24 One can also add that there is something in the present policies of the SDLP which suggest a need to maintain a somewhat fragile unity in respect of the national question .
25 However , it seems to me that there is something a little perverse in leaving me your notes on the making of the Big Glass when you must have known perfectly well that they contained material I would be certain to find offensive .
26 That there is something he does not know is shown by the fact that if he were to gain his sight , he would come to know something that he previously had not known .
27 At first sight this looks like an uninteresting stipulation about how to use the word ‘ fact ’ — uninteresting because the anti-materialist could as well state his case using some such term as ‘ feature ’ or ‘ aspect ’ , and it is difficult to see how , once having allowed that there is something called ‘ what it is like to see ’ which one only learns by seeing , one could refuse to describe this as a feature or aspect of mental life .
28 So we started by asking our friends , who in turn asked others , until we were eventually inundated with testimonies from witnesses around the world who provided popular proof that there is something about the cinema that encourages , right there in the picture house , thoughts , feelings and behaviour in its patrons by turns enigmatic , terrifying , erotic , sad , hilarious and poetic , often triggered by uncanny interplay between screen image and real-time events in the auditorium and in the world beyond the muffled doors .
29 The idea that there is something of a lag between terminology and social system is interesting and there does indeed sometimes seem to be this type of gap .
30 Throughout Marx 's work he stresses , as he had done for labour , the fantastic nature of the capitalist concept of property , the fantastic notion that there is something of our personality in the things or places we own .
  Next page