Example sentences of "he [vb -s] she [prep] [art] " in BNC.
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1 | Moving from her external trappings to her internal structure , he represents her as a sort of wooden skeleton . |
2 | And he gets the spade and hits her on the head with it and he goes , I never want to talk to you again and he kicks her in the head . |
3 | She is told that if she catches sight of him when he visits her in the darkness , he will leave her . |
4 | Karenin also tells Anna he loves her as a husband but she does n't believe he is capable of love or knows what it is either . |
5 | Or perhaps it could be the heart-stopping finale where they finally , sorry , break the ice , and after a quick peckeroo execute the near impossible Pamchenko manoeuvre ( basically he grabs her by the feet and spins her in increasing circles , and she prays he does n't let go ) . |
6 | While Blanche tries to pass him in one of the passages he grabs her and he hurts her in the cruellest and most brutal way . |
7 | The fact that he rapes her on the night that Stella 's baby is born , on their bed , and in his wedding pyjamas makes Stanley seem even more bestial . |
8 | I think he kills her in the end , the young man , I mean . ’ |
9 | He motions her towards the lift . |
10 | He takes her to the theatre . ’ |
11 | And this man goes , right love , and he takes her in an alley way and she goes thanks , and like , he goes come on then , let's do it now . |
12 | HAMLET , with his doublet all unbraced , no hat upon his head , his stockings fouled , ungartered and down-gyred to his ankle , pale as his shirt , his knees knocking each other … and with a look so piteous , he takes her by the wrist and holds her hard , then he goes to the length of his arm , and with his other hand over his brow , falls to such perusal of her face as he would draw it … |
13 | When he tickles her on the tummy for photographers , she bats his hand away . |
14 | Arrangements for the separation are made , an intermediary visits her in Brighton , where he finds her on the pier reading a novel , ‘ the title of which remains unknown ’ . |
15 | He tells her about the pencil-case and the four-colour propelling pencil . |
16 | If successful , he presents her with a package of sperm and she collects this in her vent . |
17 | Not many women reach her years and have as much — for everything he can imagine her wanting he hastens to provide ; and it is bestowed as if she were a young and lovely creature at her first ball , and when he helps her down the stairs or into a taxi — for she is getting frail — he turns her into Gloriana . |
18 | His eyebrows flicker up and down as he speaks , he reminds her of an actor she used to know . |
19 | He kidnaps her in the hope that she will accept and return his affections and when he ties her up the sexual and emotional metaphors of the title abound . |
20 | Johnson 's account acknowledges the woman 's pastoral existence , and he dignifies her with a detailed report , pointing out that her circumstances were by no means on the lowest and most impoverished social scale . |
21 | She inches to the edge of the bed , he follows ; she lies on her back , his hand attempts to part her furiously dry lips ; she wraps herself in the sheet , the tense warmth of his body suffocates her doubly ; she leaps up and goes to the lavatory , he watches her through the glass wall . |
22 | He watches her in the yard with her cloth and bucket , as she kneels to tackle the clean plates . |
23 | At the beginning of the book Celie despises her husband , Albert , because of the way he treats her as an object . |
24 | If he treats her from the beginning like a woman , elderly perhaps , but still entitled to every courtesy and consideration and some of his undivided attention , and if she treats him with affection and interest , voicing her pride in his achievements , and turning to him for advice on various matters , their relationship is usually off to a good start . |
25 | When he leaves her for the Gipsy and she dances . |
26 | Soon as he injects her with the antidote to polywhatnot , she 'll leave him to find his own way home . ’ |