Example sentences of "[vb infin] [conj] you [verb] [adv prt] " in BNC.

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1 The erm you really are aware , I do n't know if you get up to London much ?
2 And you know that , that er I do n't know if you know up that way round at all ?
3 ‘ It can certainly wait until you get in , ’ Petronella said .
4 you can just wait until you get in we 'll you will definitely fall asleep .
5 Well , we 'll wait until you come round , and then decide what to do .
6 oh no , oh , no your dad 'll wait till you come back
7 I 'll wait till you come back .
8 I 'll wait till you come back .
9 Well I , I 'll wait till you bring back your , your er illustrations and then I 'll talk to him .
10 Do you know as you come in to Salisbury and you have to keep going on with the traffic , then it leads up to the bridge where the wa , where the river is .
11 Plus within my environmental thing I would like to be able to see if we can get four areas within the school and what I was thinking about , not the big areas outside in the gardens etcetera but do you know as you walk along from our corridor up past the dining hall and there 's that little bit of enclosed space
12 ‘ Perhaps that 's something we could discuss when you get back from Australia , ’ he said .
13 The Mailing Preference Service ( MPS ) can ensure that you come off mailing lists , or it can give you the option of staying on chosen lists .
14 But what would you do if you woke up one morning to find that suddenly you had the chance of starting with a totally clean slate , and putting together your own system .
15 Does n't matter if you go off because you could come up behind it .
16 Does n't matter if you go off because you could come up behind it
17 These mistakes mattered — whereas ‘ in the arts it does n't matter if you foul up . ’
18 So you come up behind it so that your body and the striker 's ball , that being your red ball and the other ball , the object ball are always the same straight line I mean it does n't matter whether you come in from the side you 're walking up to it in a straight line put your mallet down , swing it through .
19 There is a lot you can do when you get back to the original mix tape , but for us the mix was all part of the creative process and I do n't really want to remix stuff .
20 So what are you gon na do when you run out of jobs Norman ?
21 How do you feel as you swim over that dark patch of seaweed ?
22 How did you feel when you came round ?
23 I will answer if you shut up .
24 Remember here that some people do not like seeing you write down their words for it interrupts their flow of thought .
25 ‘ If I imagined you were about to repeat your foolishness of the other day I would insist that you came back to Paris now .
26 Yes you should look when you fell over they were all broken .
27 I could n't , I ca n't believe though you growing up a bit better now .
28 How might your boss react if you turned up to work in your best disco gear ?
29 ‘ It wo n't stop until you give in , you know , ’ said a small voice conversationally .
30 And if for some reason it does n't fit and you go back to them
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