Example sentences of "[adv] [pron] can be [noun] " in BNC.

  Next page
No Sentence
1 Obviously there can be abuses of any group — authoritarian leadership group pressure , loss of individual responsibility .
2 Safety/environment : Ensure that our good record on safety improvement is sustained ; set environmental targets , record progress and prepare an external communications programme to tell people what we are doing ; give employees the facts first so they can be ambassadors for the company .
3 So you know the sooner it can be sort of processed , the sooner they can actually get working on it .
4 yeah — gazza can be macca , batty and even strachan — and what 's more he can be cuntona : as good as our midfield is we could have done with a ‘ tales of the unexpected ’ -type of player — the player who does things no one thinks of before said player actually does it ( im not talking about cuntano 's new shirt look … )
5 And so far there can be doubt who is winning .
6 Surely we can be friends , ca n't we ?
7 In either case , it would seem that everything in the universe would then be determined by evolution according to the laws of science , so it is difficult to see how we can be masters of our fate .
8 If they voice this concern to the general practitioner or health visitor this may result in the first step being taken in the identification of a visual problem , but unfortunately there can be instances in which the defective vision is not detected until the child has a pre-school medical .
9 Sometimes there can be complications , and forceps have to be used to pull the baby out , or other more serious problems arise and a Caesarean section is performed .
10 More important , natural selection provides a model of how there can be change towards a kind of fit or harmony , towards structured complexity , which is neither planned nor the result of goal-directed activity .
11 ( I , 817 — 18 ) Sartre arrives at what he calls ‘ the real problem of History ’ , that is how there can be totalization without a totalizer , only at the very end of Volume I. It is not until the next volume , however , that he intends to show how individual actions , separate multiplicities , make up ‘ one human history , with one truth and one intelligibility ’ ( I , 69 ) .
12 This strategy marks a structure of repetition in Sartre 's text : each time he poses the question of how there can be totalization of History without a totalizer , he retreats to a more limited example whose unity is already evident , but which in the end only brings him back to the original question again .
13 For all his use of the model of the boxing match , Sartre has really got no further with the fundamental question of how there can be totalization without a totalizer .
14 Sadly nothing can be cone without ideas , and ideas need people to produce them , so I extend an appeal to all the people who may read this and pray that God might give each of us the sight to see where we are needed ..
15 Again there can be problems in obtaining cloud free scenes .
16 Again there can be concentration on events or on operator decisions .
17 you make your sound and you carry on and on and on , I 'm gon na keep on taping different people 's make their sound and then we 're gon na see what it feels like you 're in hospital , okay , now it does n't matter if somebody 's got the same sound as somebody else , it 's no big deal , alright , because eventually they 'll all blend into each other , but as soon as I 've tapped you , make your sound , alright patients , come on where 's the machines ? okay , stop , now when did it start becoming out of hand ? , at one stage we did n't really know where we were to , once , once I say ten people , okay , and that was also due to the fact that we had perhaps too many erm patients moaning , alright , it was good in one respect because why , it made obvious that we were in a , a hospital well something like , but erm when you 're in smaller groups and you 're making your sound machines , obviously it 's much easier to control and to make the overall sound more realistic , do n't you think ? , so , mm , what we 're going to do is we 're going to get into different groups , into groups of four , five , no big deal , you 're welcome to only if you want to , and , you 're going to , each group is going to choose er a profession , okay , you can be brick layers , you can be er musicians , er you can be er gardener , I mean absolutely you can be factory workers , you can be absolutely anything , and what you 're going to do is you 're going to choose , each person will choose a sound which is represented of that particular person , er profession , okay , and you 'll going to make your sounds simultaneously so that as for the audience who are simply listening to you can just close our eyes cos we wo n't , you wo n't be acting you 'll be making these sounds and using , we 'll close our eyes and we 'll know exactly where we are , okay , and then after that once we 've done that just , before you choose your profession to know what this is going to lead onto , after that we 're going to put movements to that profession , so when , if you were in a factory going er putting bottles on , on top top of bottles , you would have the movements going and you would have the sound going and I want you to build up , up , the sound machine which becomes the movement machine as well , so you 're almost robotic so you , shh , shh , or whatever , however your sound , and each person does their thing in the factory or where ever they are and we will be able to see from listening and looking at the movements and obviously remember just because you 're not an example it does n't mean you ca n't talk , there might be for instance there would be a doctor going stand back , stand back , you know , er , in , in the you can use voices , but also obviously very , very effective to have sound voices , shh , shh , to create that part of it , have instruments , but this is how they actually started lay down sound tracks for movies , people specialize
  Next page