Example sentences of "what we " in BNC.

  Next page
No Sentence
1 An English handbook written in 1980 even went so far as to state : ‘ The enjoyment of looking ( what we call the aesthetic experience ) is , in fact , the core of the discipline known as Art History . ’
2 Compared with what we find in Naipaul 's novel , however , Conrad 's Costaguana is a country of the mind : it has the air of having been built to accommodate his meanings .
3 What we find in Guerrillas is a narrative of unfailing fascination which delivers to the senses of the reader a country very like the countries he knows in the real world : equally , his experience of that country is very like his experience of Naipaul 's India , in being rarely subdued by an awareness of the writer 's more deliberate meanings .
4 There is far less of the mystification which can be attributed to the account of the troubles in Guerrillas : what we get is the mysterious politics of forest and township as observed by an outsider , by an African Asian who understands a good deal of what is going on .
5 The exchange has roused the analyst to contributions that are firmer and more energy-consuming than those he generally vouchsafes : ‘ it 's not the past but what we make of the past that shapes our future and present . ’
6 The lyricism that sells out to a state-ordained reality and solidarity is not the only lyricism we know , and it is the opposite of much of what we know by that name .
7 These two people had enacted what we have long been accustomed to think of as a romantic programme , whereby love and death converge , and dying young is the thing to do , whereby other people , and common life , are a thing to be escaped from , and a tension develops between the duty to a partner and a cultivation of the self , between the dictates of an amour fou and an amour de soi .
8 Outcomes are uncertain , games of chance can be rigged — but this is not what we are conscious of in reading about Ursula .
9 The Zuckerman books are a medley of differences and affinities between what we are able to infer about Roth 's life and what he has made of it in art .
10 Philip Roth 's contribution to The Facts is ( as distinct from Nathan Zuckerman 's ) significantly milder , in relation to family matters , than what we get in these abrasive comic fictions : but then the fictions can be nice too .
11 What we are reading is the Book of Patrick Doyle .
12 What we 're trying to do is to write cricket bats , so that when we throw up an idea and give it a little knock , it might … travel …
13 Now , what we 've got here is a lump of wood roughly the same shape trying to be a cricket bat , and if you hit a ball with it , the ball will travel about ten feet and you will drop the bat and dance about shouting ‘ Ouch ! ’ with your hands stuck into your armpits .
14 In this respect , it is useful to pay attention to what we might now term the human rights ' issue as one examines the handling of public — private morality in the Irish constitution .
15 What is required , he wrote , is to find an outlet for those energies , for those needs and desires , so that they do not turn inward and rend you to pieces , an outlet , he wrote , but never to imagine that what we do is ever going to be an everlasting achievement .
16 What we have is all we have , he wrote .
17 It is all a question , he wrote , of what we owe ourselves .
18 Why not stay with what we normally hear and see and feel ?
19 We need to realize what we 've done to other species .
20 In every case , wrote Harsnet ( typed Goldberg ) , if we had not done what we did but something else the consequences would have been equally disastrous .
21 By presenting a broad front , which encompasses the country 's official architectural watchdogs as well as the Campaign for Real Ale , we hope to alert both the general public and the brewing trade to what we believe is a growing and serious threat to our cultural heritage .
22 Indeed what we are now seeing in some cases as ‘ the genuine article ’ are quality brewery refurbishments dating from the 1920s and 1930s , good Brewers ‘ Tudor , maybe , but hardly the stuff of the ancient , inglenooky world that the modern myth-makers — the brewers and the tourism industry — would have us believe still exists .
23 ‘ That 's exactly what we expected , Sergeant .
24 What we do n't like , Mr Tyler , is that Mrs Iverson was poisoned in full view of the Coroner and the Chairman of the Bench . ’
25 What we want , then , Inspector , ’ he said bracingly , ‘ is a new avenue or fresh look at an old one . ’
26 Yet what we normally get to see on British cinema screens represents a small slice of what is produced globally .
27 That 's what we 're trained to do , and nobody , but nobody , is going to train us to do anything else . ’
28 What we really need now is breakfast .
29 What we need to do is set up a regular lunch date so everyone knows what 's happening .
30 The ethnography we pursued and the seminar papers we created all tended to include the subjective ‘ I ’ as part of the discourse , and we were encouraged to explore the effects of our history , our social , political , sexual , and economic influences and include our vision of what we had experienced during the fieldwork situation .
  Next page