Example sentences of "[pron] think [pron] [be] talk " in BNC.

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1 C. I thought we were talking about the H-bomb .
2 I thought we were talking about one man , Philippe Maurin ? ’
3 I thought we were talking about Si , I 'm really really confused .
4 I thought she was talking about you , I mean she never mentioned no names when she came rushing up to the top just the same , do n't know what 's the matter with Wynne today , the edge there Lynda .
5 She said , Oh she said I thought it was talking about me .
6 I thought you were talking about a bird , though how you 'd spot one of those little things …
7 I thought you were talking about
8 Ju I thought you were talking about the tombola when you were saying fifty pence a strip , sorry .
9 Oh I see I thought you were talking about toxophily for a minute .
10 Sorry I thought you were talking about two
11 Sorry I thought you were talking about the weights on the
12 That 's wha , that 's who I thought you were talking , I thought you were talking about them .
13 That 's wha , that 's who I thought you were talking , I thought you were talking about them .
14 Oh I thought you were talking about Mother Theresa .
15 But er , pre , I thought you were talking about George the first something like that then you 've got er hand sawn timber , you know you can see the marks on the board
16 I thought you were talking about this morning .
17 oh I 'm sorry I thought you was talking about ninety four , ninety five
18 Well I thought you was talking about mattresses airing in front of the fire .
19 I thought I was talking somebody in
20 I think we 're talking about anorexia here , are n't we ?
21 ‘ Up ’ ( and I think we 're talking more than the one level of ambiguity in that solitary two-letter word ) is a record that actually makes you feel happy , in that all of it is uplifting ( oi ! spiritually , not trouserly ) , you can dance to some of it and sing along to the rest , the words are rude and witty and always smart , and Richard Fairbrass is a fantastic pop singer , all post-Bowie and Ferry and languid , a sort of brightly-coloured Neil Tennant .
22 It may be that this explanation is not an acceptable answer to the question , but it is presented by the speaker in a form which conveys ‘ what I think we 're talking about ’ in this part of the conversation .
23 Characterising the individual speaker 's topic as ‘ what I think we 're talking about ’ incorporates both that element which the conversational analyst tends to abstract as the ‘ topic of conversation ’ for the participants ( 'What we 're talking about' ) and the individual speaker 's version ( 'I think' ) , as he/she makes a conversational contribution .
24 From what we have proposed as speakers ' topics in conversational discourse , it must occasionally happen that there are at least two versions of ‘ What I think we 're talking about ’ which are potentially incompatible .
25 We might characterise speaker B's view of ‘ what I think we 're talking about now ’ as something involving herself , the 1930s , and the existence of telephones ( as well as radios ) at that time .
26 Speaker B's view of ‘ what I think we 're talking about now ’ must now involve speaker A , A's father , the Scouts and a man ( who may have something to do with telephones ) .
27 Looking back to speaker C's third question , we can propose two versions of ‘ what I think we 're talking about ’ .
28 We might think that by the end of this fragment there is once again a single version for both speakers of ‘ what I think we 're talking about ’ .
29 I think we 're talking at cross purposes .
30 I think we 're talking about once the suspension was over
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