Example sentences of "[is] that [conj] you " in BNC.

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1 The advantage of buying in a local store in Europe is that although you have to pay local duty , it is likely to be much less than in the UK .
2 However , what is not generally known by the public is that although you will be designing all these items , the finished work will he commissioned from outside studios in the case of advertisements and print work , while TV commercials will be made by independent production companies .
3 ‘ The other point is that once you have established a good system of discipline , you do n't have to smack very often .
4 People are seen as going up a ladder : they are trainees , they become accepted when they get to know the school rules — the ambience is that once you 've survived the initiation , you 're part of this club , this closed society .
5 The snag is that once you have done so , you can not move up or down .
6 The real user bonus from this setup is that once you 've found your desired sound and stored it , it 's there for use any time , always consistent and accurate , but with scope for ‘ fine-tuning ’ to suit the gig .
7 What is worth remembering , though , is that once you have got the idea , that is by no means the end of the story .
8 One of the things that never ceases to amaze me about any technology is that once you have it you always expect it to do more .
9 The point is that once you 're in the boat and on the water the disability ceases to count .
10 ‘ The problem is that once you make a mistake in deciding the child needs testing it can set up a chain of events that can lead to severe problems for the child , ’ he says .
11 The problem is that unless you have absolutely plain walls , there will be a number of obstacles to tile round , and you have to decide how to get the best fit round them with your inflexible tile squares , without ending up cutting impossibly thin slivers to fill in all the gaps .
12 But the one damning aspect of tab is that unless you know the solo , riff or whatever really well , getting the exact timing spot on , without being able to decipher rhythmic notation , is a bridge too far .
13 The fact is that unless you have a reasonable understanding of what advertising can and can not achieve , you have absolutely no way of deciding what its role in a marketing programme is , what objectives should be set for it , and how to measure whether it has achieved those objectives .
14 ‘ What I 'm saying is that unless you take the opportunity to see the system installed and working you 'll be missing the chance of increasing your knowledge of the product and thereby depriving yourself of valuable information .
15 I think th the difficulty with that kind of day is that unless you 've decided what the outcome 's going to be before you start , you 're not actually going together are you ?
16 So we proceeded on a cost plus basis , also the cost plus environment actually brings the partners together because if there are three of us working on a cost plus contract and I have a problem , my two partners rush to help me because clearly there 's some more profit for them , erm if the only difficulty with cost plus contract of course is that unless you have a a real ceiling on the total er costs that you 're going to pay , it may keep on rising far higher than you 'd ever imagined .
17 ‘ What I do n't like about swapping around is that while you 're playing one song you 're thinking about getting near the end and that you 're going to have to swap over very quickly .
18 What is absolutely vital is that while you are on one particular diet , you follow the rules that apply to that diet , and those rules only .
19 I think the thing that we need to establish is that before you embark on any advertising , whatever it is , that you have funding for it .
20 The advantage of this is that when you start gigging , you have someone out front who knows your songs , and who can either mix your sound or at least keep an eye on the house engineer .
21 What must seem stupid to non-gardeners , or those who take a rational view of the whole business , is that when you prepare the ground for sowing you first dig it over and make it loose , only to tread it firm again .
22 ‘ The chief thing to remember , ’ he said , ‘ is that when you lose your fear you 're in real danger . ’
23 A point to note about technique is that when you actually go round the mark in strong winds the daggerboard should be retracted first then the mast track moved back in preparation for the reach .
24 The trouble with all these lines is that when you get to a length exceeding about fifty miles ( 80km ) , the curvature of the Earth begins to become significant : a straight line on the map is not necessarily a straight line on the ground .
25 The point I am making here is that when you tackle a big job you need the necessary resources to complete it .
26 The secret is that when you point to the pile you rest a hand on the table with the appropriate number of fingers extended .
27 The trouble is that when you include guys like Willie Ofahengaue then somebody , somewhere , is going to be made to feel his presence .
28 The other thing to remember is that when you are caught in that fearful quiet , that sense of the hopelessness of ever writing again , then any commission , any writing task set by another person , is a lifesaver .
29 What happens is that when you follow a strict diet , your body will adjust itself to the sudden reduction in the amount of calories you eat by simply slowing down your metabolism .
30 Incidentally , one of the curious phenomena of my library is that when you take out Bleddyn 's autobiography from the shelves it automatically opens at the very page mentioned above .
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