Example sentences of "[vb infin] [coord] you [modal v] [verb] [pron] " in BNC.
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1 | So I says I would n't phone in , I 'd let you know and you could do it and I 'll pay you myself , I do n't mind , you know , losing a day 's pay . |
2 | There 's already one at Poplington actually , just let me finish and you can make your point |
3 | Right we 've got to keep that , I 'll give you what I do n't want and you can put it in the bin |
4 | Do n't try to follow both sets of shaping at the same time because it wo n't work and you will find yourself becoming totally confused . |
5 | So we arranged that I would let the name drop and you 'd work it out from there . ’ |
6 | ‘ I 'll ride and you can follow me . ’ |
7 | ‘ Stephen , you really must rest or you 'll kill yourself . |
8 | ‘ You must let the past go or you 'll drive yourself out of your mind . ’ |
9 | It 's not in the butter , look , let go and you 'll see it 's not in the butter , it is over the butter which is alright , now do n't fight |
10 | At the last Council meeting I quoted figures on comparative performance of the Conservative record on health against Labour 's and I make no apology for reiterating some of these figures , and you can howl and you can wail and you can say what you want , these are facts . |
11 | As far as the ‘ artisan'-producer is concerned , Carole King 's picture of institutionalized song-writing in New York in the early 1960s — ‘ squeezed into our respective cubby-holes … you 'd sit there and write and you could hear someone in the next cubby-hole composing a song exactly like yours ’ ( Frith 1983a : 13–12 ) — fits into exactly the same frame of reference as Abner Silver and Robert Bruce 's classic 1939 text , How to Write and Sell a Hit Song , which describes the ‘ standard ’ forms and techniques , and from which Adorno quotes with withering relish ( 1941 : 17–18 ) . |
12 | You should not ignore plaque , as ultimately you gums may recede and you will find yourself more likely to lose a tooth . |