Example sentences of "write and you " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | And it it it 's called the fog index but the thing that 's interesting about it is that I 've got , I 've got some interesting examples of fog indexes erm and you 'll get people like Churchill who sometimes made speeches and their fog index is quite small you 're going to use this you know example and they might have a fog , fog index that 's fine and what Anne and I are talking about with say something like the Telegraph or the Times or whatever , might have a fog index that people but this is because Churchill was very clear , very concise and going back to the original point about , or some of the original points about this , and I was mak raising these issues earlier this evening one of the great sadnesses that I have is that , is that when I first went into journalism the tabloids as we call them were incredibly well written beautifully styled , well researched and okay they might have been punchier and shorter and everything else , compared to the turning up the er the , the Times or whatever , but they were well written and you might have had , if you can put the fog index test , test on it you might have had a fog index of say six or seven compared to eleven on the Telegraph story , but it was still full of clarity like to read . |
| 2 | No you 're alright , cos sometimes you make , you , you know , you 're writing and you need a flow of ten minutes cos then it interrupts and says do you want to save this ? |
| 3 | As far as the ‘ artisan'-producer is concerned , Carole King 's picture of institutionalized song-writing in New York in the early 1960s — ‘ squeezed into our respective cubby-holes … you 'd sit there and write and you could hear someone in the next cubby-hole composing a song exactly like yours ’ ( Frith 1983a : 13–12 ) — fits into exactly the same frame of reference as Abner Silver and Robert Bruce 's classic 1939 text , How to Write and Sell a Hit Song , which describes the ‘ standard ’ forms and techniques , and from which Adorno quotes with withering relish ( 1941 : 17–18 ) . |
| 4 | I got up and you know I swear I turned into Firmin for a moment and I said , ‘ Listen , Our Lady of Communications , I shall write and you will transmit as many fucking letters per day as I happen to feel like writing . ’ |
| 5 | That is why the politicians want to muzzle us and control what we write and you read . |