Example sentences of "[prep] art as [art] " in BNC.

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1 In chapter 4 , on monographs , there were some comments on the photography of art as a complement to criticism ; there are some other issues about how accurate or misleading photographs can be .
2 When he has inspired sympathetic coverage , the results tend to be not so much an exposition of Gironella 's achievements but belong to that particular branch of literature which uses works of art as a starting point for literary excursus .
3 He thereby pays less attention than he might to interpreting the science of art as a cultural phenomenon .
4 ALL THE more pertinent with the rise of fascism in Europe , the late John Heartfield 's anti-Nazi photomontages are a strong reminder of the power of art as a political weapon .
5 In the catalogue accompanying the exhibition Sarah Whitfield argues that Goya provided ‘ a prime example of art as a form of moral protest ’ and gave him a subject-matter which lay outside the conventional iconography of Christian art .
6 Your reviewer recommends Gombrich 's Story of Art as a viable alternative .
7 For those who need to have a view of art as a journalistic approach , as a science , as sociology , and never mind the actual people on the ground , the creators , then this would , I imagine , be a useful addition to their library .
8 The turn of the century saw the birth of the so-called ‘ silver age ’ with its explicit rejection of art as a vehicle for social and political criticism .
9 Although he stressed that Sotheby 's had ceased their practice of guaranteeing items in January 1989 Mr Ainslie conceded that the company still owned works of art as a result of this policy .
10 JEFF KOONS 'S concept of art as a commodity is illustrated in his sculpture New Hoover Celebrity IV 1986 which features two vacuum cleaners seductively mounted on plexiglass and back-lit with fluorescent as if in a retail display .
11 Production for the market involves the conception of the work of art as a commodity , and of the artist , however else he may define himself , as a particular kind of commodity producer .
12 Second , her refusal of the counterposition of text and reality and determination to see the work of art as a ‘ sensory thing ’ , was simultaneously an insistence that this already overloaded signifier was in fact not very different from a referent .
13 Thus the theme of the Secession 's 1902 Beethoven exhibition was that of art as a replacement for religion .
14 Instead they become complex historical texts , whose meanings require theorised as well as historical ‘ reading ’ in order to grasp the dynamic of art as a practice — shaped by , but also acting , upon the institutions , economies , sign systems , ideologies within which the works are produced .
15 Partly due to their systematic exclusion , but also as a matter of choice , feminist artists increasingly preferred to display their work in settings they considered more appropriate to their desire to participate in the more public/political debates of feminism and a recognition of art as a communicative medium .
16 The first two years provide the groundwork for the pupils to make a realistic choice of Art as a special subject in S3 if they are so minded .
17 The critique of art as an institution is continuous with earlier formations ( including early Surrealism and Russian Constructivism ) , but Levin remains unclear in his definition of Debord 's avant-gardism .
18 We tend to see the history of art as an ordered succession of works appreciated for and judged by their conceptual content .
19 During the war the Cubist concept of the work of art as an autonomous , constructed object became more and more widespread and was to have a profound effect on the emergence of Purism , one of the pictorial styles to which Cubism helped give birth .
20 Recent articles include a personal history of ICAA by Naomi Wray and ‘ Silent Voices of the Prophets ’ , an examination of art as the universal voice .
21 ‘ Even if the business manager increasingly seems to be as important a factor these days in the acquisition of art as the dealer such as ourselves ? ’
22 Where the early view saw a work of art as the sum total of its devices , the later view took account of the fact that literary devices themselves were subject to the automatization of perception .
23 ‘ There is a sorrow in the Zeitgeist ’ bemoans Lyotard , an inappropriateness in the metaphor of the ‘ avant-garde ’ , and consequently a kind of absurdity attaching to the belief in art as a prefiguration of a global collectivist future .
24 Name synthesizer non-player seeks band interested in art as a process .
25 Not surprisingly , St George and St Michael were the patrons of new orders : both were depicted in art as the defenders of the innocent against the forces of evil .
26 Wölflinn used such terms to distinguish epochs ; they are only partly useful as interpretation , since Wölflinn tended to be more interested in art as an independent phenomenon than as having meaning intended by the artist .
27 If you look upon Art as a frill , it is pretty certain you are not letting it play its proper part in the school .
28 With regard to access to Art as a subject in the school curriculum , the Head of Department pointed out that he and his colleagues made special provision for some pupils , asking it if was generally known that pupils who opted not to do Art ( i.e. whose option choices precluded Art ) could still do it after school as an additional subject and that we do get some of them through ( verified note of meeting ) .
29 Vron confirmed that she had been good at art as a schoolgirl , often praised by her art master .
30 Vron confirmed that she had been good at art as a schoolgirl , often praised by her art master .
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